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Materials & Techniques etching (printing process)

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1. Marriage à la Mode, Plate 6

Marriage à la Mode, Plate 6
Creator:
Print made by William Hogarth, 1697–1764
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2. Cologne on the Rhine

Cologne on the Rhine
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Cologne on the Rhine

Cologne on the Rhine
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving, with graphite and white chalk; early touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Cologne on the Rhine

Cologne on the Rhine
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Cologne on the Rhine

Cologne on the Rhine
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving, with graphite; touched early engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. French Songs

French Songs
Creator:
Print made by John Copley, 1875–1950
Date:
1946
Materials & Techniques:
Etching with gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 18 5/8 inches (35.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Mercury and Argus

Mercury and Argus
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Mercury and Argus

Mercury and Argus
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; second state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The South - West View of the Parish Church of Ecton in Northamptonshire

The South - West View of the Parish Church of Ecton in Northamptonshire
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1749
Materials & Techniques:
Etching and engraving on thick, rough, beige laid paper
Dimensions:
Mount: 25 1/4 × 18 7/16 inches (64.1 × 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman

14. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1792
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of the City with the Louvre taken from Pont Marie

View of the City with the Louvre taken from Pont Marie
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Water Works at Marli and St. German en Laye seen in the distance

The Water Works at Marli and St. German en Laye seen in the distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Taking of the Nuestra Senora de los Remedios

The Taking of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 7/16 × 18 5/8 inches (34.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Wreck of the Nuestra Senora de los Remedios

The Wreck of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Wooded Landscape with Two Country Carts and Figures

Wooded Landscape with Two Country Carts and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
1779 to 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 15 1/8 inches (29.2 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Abraham Lincoln

Abraham Lincoln
Creator:
Print made by James S. King, 1852–1925
Date:
1909
Materials & Techniques:
Etching (fourth proof) on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 31 5/8 × 23 1/2 inches (80.3 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. Castello S. Angelo Di Roma

Castello S. Angelo Di Roma
Creator:
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:
1602
Materials & Techniques:
Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ...
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1759
Materials & Techniques:
Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 20 11/16 inches (36 x 52.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....
Creator:
Print made by Peter P. Benazech, 1767–1794
Date:
ca. 1760
Materials & Techniques:
Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Temple of Baal

Temple of Baal
Creator:
Print made by William Walcot, 1874–1943
Date:
1918
Materials & Techniques:
Etching, open biting, and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. Pantheum Romanum nunc Mariae Cognomento

Pantheum Romanum nunc Mariae Cognomento
Creator:
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:
1549
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Panthei Fidelissime Dimensi Exterior et Interior

Panthei Fidelissime Dimensi Exterior et Interior
Creator:
Print made by unknown artist
Date:
1553
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 18 1/2 inches (35.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. William Henry West Betty

William Henry West Betty
Creator:
James Heath, 1757–1834
Date:
1806
Materials & Techniques:
Etching, line engraving, and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/2 x 18 1/2 inches (64.8 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. The Admiralty Office

The Admiralty Office
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Oxford from North Hinksey

Oxford from North Hinksey
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Moss Dale Fall

Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1822
Materials & Techniques:
Etching and line engraving; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 18 1/2 inches (29.8 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Lulworth Castle, Dorsetshire

Lulworth Castle, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Crowhurst, Sussex

Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816 to 1820
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Plymouth Citadel

Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. View of the City with the Louvre & Taken from Pont Marie

View of the City with the Louvre & Taken from Pont Marie
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. John Paul Jones

John Paul Jones
Creator:
Print made by Henri Toussaint, 1849–1911
Date:
1906
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper with cream chine colle
Dimensions:
Sheet: 27 7/16 × 21 5/8 inches (69.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Canale Grande

Canale Grande
Creator:
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 12 15/16 x 18 5/16 inches (32.8 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

44. Ca d'Oro

Ca d'Oro
Creator:
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

45. George Fox Comes to London After the Great Fire

George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

46. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
Creator:
James Gillray, 1756–1815
Date:
1798
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 9/16 x 18 11/16 inches (34.4 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Cupid and Cephisa: "One Day as I was Walking in the Woods..."
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand-colored on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 19 5/8 x 18 5/8 inches (49.8 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. San Giorgio Maggiore

San Giorgio Maggiore
Creator:
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:
undated
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

50. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

51. The Breaking Up of the Agamemnon, no. 2

The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

52. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream antique laid paper
Dimensions:
Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. The Penance

The Penance
Creator:
Print made by William Strang, 1859–1921
Date:
1896
Materials & Techniques:
Etching on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 18 5/8 inches (28.9 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

54. Elevation of the River Front

Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Osprey

Osprey
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

56. Marriage à la Mode, Plate 5

Marriage à la Mode, Plate 5
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

57. Marriage à la Mode, Plate 4

Marriage à la Mode, Plate 4
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

58. Marriage à la Mode, Plate 1

Marriage à la Mode, Plate 1
Creator:
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

59. Marriage à la Mode, Plate 3

Marriage à la Mode, Plate 3
Creator:
Print made by Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

60. Gefaler Cathedral

Gefaler Cathedral
Creator:
Print made by Axel Herman Haig, 1835–1921
Date:
1901
Materials & Techniques:
Etching on medium, smooth, beige wove paper mounted on linen
Dimensions:
Sheet: 35 7/16 × 25 13/16 inches (90 × 65.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

61. Peregrine Falcon

Peregrine Falcon
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

62. Lammergeier

Lammergeier
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

63. Kestrel

Kestrel
Creator:
Print made by Dame Elisabeth Frink, 1930–1993
Date:
1974
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 36 1/4 × 25 5/8 inches (92.1 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

64. The Temple of Aphaia at Aegina: Sections

The Temple of Aphaia at Aegina: Sections
Creator:
Edmund Turrell, active 1835–1860
Date:
1860
Materials & Techniques:
Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. A Midnight Modern Conversation

No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

66. Lake of Lucerne

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1854
Materials & Techniques:
Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. A Tragedy of Sophocles Performed before the Emperor Hadrian

No cover image available
Creator:
Print made by William Walcot, 1874–1943
Date:
1913
Materials & Techniques:
Etching and aquatint on moderately thick, slighly textured, cream wove paper
Dimensions:
Sheet: 25 1/2 × 26 inches (64.8 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

68. The Deserter

No cover image available
Creator:
William Dickinson, 1746–1823
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 19 7/16 inches (39 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. St. Mary's, Nottingham

No cover image available
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1929
Materials & Techniques:
Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 18 1/2 inches (31.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

70. A Mediterranean Port

No cover image available
Creator:
Joseph Gray, 1890–1962
Date:
1926
Materials & Techniques:
Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/16 x 18 9/16 inches (25.9 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

71. A French Second Rate, An:1670

No cover image available
Creator:
Print made by Charles Tomkins, 1757–1823
Date:
1801
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 18 3/8 inches (30 × 46.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

72. Oxford from North Hinksey

No cover image available
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

73. The Father's Leave-Taking

No cover image available
Creator:
Print made by William Holman Hunt, 1827–1910
Date:
1879
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 18 5/8 inches (33 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund