Materials & Techniques: etching (printing process) / Width [cm]: 43 / Subject Terms: landscape (representation)

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Materials & Techniques etching (printing process)

Width [cm] 43

Subject Terms landscape (representation)

Etched by Joseph Mallord William Turner, 1775–1851

Bonneville, Savoy

1816

Print made by William Miller, 1796–1882

Plymouth Dock from Mount Edgecumbe

1820

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Brienne

1834

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by William Miller, 1796–1882

Dunstaffnage

1836

Print made by William Miller, 1796–1882

Stirling

1836

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

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