Materials & Techniques: etching (printing process) / Width [cm]: 24 / Subject Terms: religious and mythological subject

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Materials & Techniques etching (printing process)

Width [cm] 24

Subject Terms religious and mythological subject

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Print made by William Blake, 1757–1827

Cupid & Psyche

1794

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

Print made by William Blake, 1757–1827

"What is Man!"; Frontispiece (Plate 2)

1826

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Anthony Cardon, 1772–1813

Cupid Wounded

1801

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Print made by Francesco Bartolozzi, 1728–1815

Paris and Oenone

1780

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

between 1859 and 1861

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomenes

1763

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 1

1896

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