Materials & Techniques: etching (printing process) / Height [cm]: 37

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by Thomas Malton the Younger, 1748–1804

The Bank

1781

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Notre Dame

1908

Print made by William Henry Worthington, ca. 1790–active 1839

Sir Humphrey Davy

1827

Print made by Richard Brookshaw, 1736–1804

Susanna and the Two Elders

undated

Print made by unknown artist

Panthei Fidelissime Dimensi Exterior et Interior

1553

Print made by John Copley, 1875–1950

In My Studio

1949

Print made by Sir Frank Short, 1857–1945

Parkgate

1890

Print made by Pieter de Jode II, ca. 1606–1674

Quintinus Simons

ca. 1635

Print made by James Bretherton, ca. 1730–1806

Englishman at Paris, 1767

1799

Print made by Francesco Bartolozzi, 1728–1815

Lord FitzGibbon

1790

Print made by Benoit Audran, 1661–1721

Guillaume Laud

undated

Print made by Francesco Bartolozzi, 1728–1815

Medallions of F. Hutcheson and L. Natter

1780

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Print made by James McBey, 1883–1959

Gamrie

1914

Print made by William Strang, 1859–1921

Castel Nuovo

1913

Print made by Robert Walker Macbeth, 1848–1910

The Harvest Moon

1883

Print made by Isaac Cruikshank, 1764–1811

Young Ladies

1795

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by Sir David Young Cameron, 1865–1945

Street in Cairo

1910

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Pilot

1925

Print made by Gerald Leslie Brockhurst, 1890–1978

Young Womanhood

1931

Print made by Pietro Antonio Martini, 1738–1797

The Exhibition of the Royal Academy, 1787

1787

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by unknown artist

The South Sea House

between 1720 and 1728

Simon Gribelin, 1662–1733

Sir James Butler, 2nd Duke of Ormonde

1713

George Vertue, 1684–1756

Sir Philip Sidney

1741

George Vertue, 1684–1756

Edmund Spenser

1727

Print made by John Copley, 1875–1950

Morning on a Hillside

1936

Print made by Jacobus Neeffs, 1610–after 1660

Martinus Rychart

ca. 1635

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Print made by William Sharp, 1749–1824

William Sharp

1817

Print made by Richard Earlom, 1743–1822

Sensibility

1789

Heneage Finch fourth Earl of Aylesford, 1751–1812

Maxstoke Priory

undated

Print made by John Boydell, 1720–1804

The Boscawen and Sheerness Privateers

1753

Print made by George Cuitt, 1779–1854

Presented by the Officers

after 1813

unknown artist

Sir Walter Raleigh

undated

Jacobus Houbraken, 1698–1780

Lieutenant General Thomas Talmash

undated

Print made by Philip Dawe, ca.1750–ca.1790

The Letter Woman

ca. 1769

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by James C. Allen, active 1821–1831

Whitby

ca. 1830

Print made by William Miller, 1796–1882

Craigmillar Castle

1836

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by Sir David Young Cameron, 1865–1945

St. Mark's Place, Venice [North Italian Set: No. 1]

1895

Print made by Sir David Young Cameron, 1865–1945

St. Laumer, Blois

1903

Robert Pollard, 1755–1838

View of Bloomsbury Square

1787

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Peter P. Benazech The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Print made by Peter P. Benazech, 1767–1794

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

ca. 1760

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

William Woollett, 1735–1785

View of the Walton Bridge, Venus's Temple

1757

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by Matthew Dubourg, active 1786–1838

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Grouse Shooting

1822

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by James Basire, 1730–1802

George Gower

1800

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by unknown artist

The Famous Lincolnshire Ox

1823

William Camden Edwards, 1777–1855

Nicholas Revett

1827

Print made by John Sell Cotman, 1782–1842

Etchings by John Sell Cotman, Volume II

1811

Print made by unknown artist

Edward Montague Lord Kimbolton

ca. 1740

Print made by Jacobus Houbraken, 1698–1780

Sir Kenelm Digby

1748

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1833

Print made by Jacobus Houbraken, 1698–1780

George Lord Digby Earl of Bristol

1738

Print made by George Vertue, 1684–1756

Edward Sackville, Earl of Dorset, Lord Chamberlain

1742

George Vertue, 1684–1756

Procession of Queen Elizabeth

1742

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Print made by James Basire, Sr., British, 1730 - 1802

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Print made by P. Crotchet, active 1768

Grown Ladies Taught to Dance

1768

Paul Fourdrinier, 1698–1758

A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr

undated

James Gillray, 1756–1815

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray, 1756–1815

Delicious Dreams! Castles in the Air! Glorious Prospects!

1808

James Gillray, 1756–1815

The Apotheosis of the Corsican Phoenix

1808

Print made by William Walcot, 1874–1943

A Venetian Festival

1927

Print made by Otto J. Schneider, 1875–1946

Abraham Lincoln

1908

Print made by Thomas Abiel Prior, 1809–1886

Heidelberg from the Opposite Bank of the Neckar

1846

Print made by Thomas Abiel Prior, 1809–1886

Heidelberg from the Opposite Bank of the Neckar

1846

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Materials & Techniques etching (printing process)

Height [cm] 37

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Height [cm] 37

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