Materials & Techniques: etching (printing process) / Height [cm]: 27

1. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

6. Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 5/8 × 13 3/4 inches (27 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

7. Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

8. Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

9. Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

10. Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

11. Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

12. Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

13. Plate 12, The Industrious 'Prentice Lord Mayor of London

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

14. Plate 11, The Idle 'Prentice Executed at Tyburn

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15. Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

16. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; fifth published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 13 3/8 inches (27 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Scene in the Campagna

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 5/8 inches (27.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Junction of Severn and Wye

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Lauffenbourgh on the Rhine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Morpeth, Northumberland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Woman and Tambourine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink; second state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 3/8 inches (20.3 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 15 3/4 inches (27 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Mer de Glace, Valley of Chamouni, Savoy

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. River Wye

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

35. Rispah: 2nd Book of Samuel, Chap. 21

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Crypt of Kirkstall Abbey

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Bridge and Cows

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Fifth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

39. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/8 inches (26.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Glaucus and Scylla

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Introduction to the Fables, The Shepherd and the Philosopher

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

43. Fable XXIV. The Butterfly and the Snail

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

44. Fable XXII. The Goat Without a Beard

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

45. Fable VI. The Miser and Plutus

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

46. Fable XIII. The Tame Stag

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

47. Fable XXVIII. The Persian, the Sun, and the Cloud

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

48. Fable XXX. The Setting-dog and the Partridge

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

49. Fable XLI. The Owl and the Farmer

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

50. Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

51. Fable XVI. The Pin and the Needle

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

52. Fable I. The Dog and the Fox

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

53. Fable XII. Pan and Fortune

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

54. Travelling Monks

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 10 7/8 inches (44.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Dover from Shakespeare's Cliff

Creator:: Print made by William Chapman, 1817–1879
Date:: 1860
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 20 1/2 inches (35.6 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1818-1820
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 7/16 inches (29.8 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Rye, Sussex

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etched state, engraver's proof (2a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 13 1/8 inches (27.3 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Roman Forum, from the Tower of the Capitol

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1818-1820
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Tomb of Cecilia Metella

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 13 5/8 inches (26.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching with chine collé; open etched state on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 17 15/16 inches (30.3 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Château d'Arc, near Dieppe

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 17 inches (27 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Rome from the Farnesean Gardens

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Isola Bella, on the Lago Maggiore

Creator:: Print made by James Fittler, 1758–1835
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Temples of Paestum

Creator:: Print made by John Pye, 1782–1874
Date:: 1830
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/2 inches (37.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: 1715 to 1725
Materials & Techniques:: Etching on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: c.1915
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 6 3/4 inches (27.3 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

79. Portrait of Peter Paul Rubens

Creator:: unknown artist
Date:: Between 1778 and 1834
Materials & Techniques:: Etching and stipple engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 12 × 8 3/4 inches (30.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison F. Wood

80. St. Botolph's, Boston

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 9 1/8 inches (34.3 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

81. St. Botolph's, Boston

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 1/4 inches (32.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

82. Glasgow Exhibition: From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

83. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Rievaulx Abbey, Yorkshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Stone Henge

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Etching and engraving; third state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Henry More

Creator:: Print made by William Faithorne, ca. 1620–1691
Date:: 1675
Materials & Techniques:: Line engraving and etching on moderately thick, smooth, beige laid paper
Dimensions:: Sheet: 13 x 7 5/16 inches (33 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. William L. Harkness

90. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

91. Sir Anthony van Dyck

Creator:: Print made by John Corner, 1788–1825
Date:: 1825
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 × 9 1/8 inches (33.1 × 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Hero's Widow

Creator:: Print made by Austin, Robert, 1895-1973, 1895–1973
Date:: 1932
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 13/16 inches (37.5 x 27.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

93. Moonlight

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 15 3/4 inches (30.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A Mythological Battle

Creator:: George C. Finden, 1811–1885
Date:: 1853
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Intemperance

Creator:: Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:: undated
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Temple of Jupiter in the Island of Aegina

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 inches (27 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. James McBey

Creator:: Print made by Gerald Leslie Brockhurst, 1890–1978
Date:: 1931
Materials & Techniques:: Etching, stipple engraving, and drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 13 7/8 x 10 3/16 inches (35.3 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

98. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 × 7 1/2 inches (26.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques etching (printing process)

Height [cm] 27

Search Results

1. The Rising Moon

2. The Bellman

3. The Homeward Star

4. Opening the Fold

5. Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

6. Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

7. Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

8. Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

9. Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

10. Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

11. Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

12. Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

13. Plate 12, The Industrious 'Prentice Lord Mayor of London

14. Plate 11, The Idle 'Prentice Executed at Tyburn

15. Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

16. Calm

17. Ville de Thun, Switzerland

18. Calm

19. Scene in the Campagna

20. Windmill and Lock

21. Junction of Severn and Wye

22. Lauffenbourgh on the Rhine

23. Morpeth, Northumberland

24. Ships in a Breeze

25. Basle

26. The Woman and Tambourine

27. Mt. St. Gothard

28. The Stork and Aqueduct

29. Interior of a Church

30. Bonneville, Savoy

31. The Source of the Arveron in the Valley of Chamouni, Savoy

32. Dumblain Abbey, Scotland

33. Mer de Glace, Valley of Chamouni, Savoy

34. River Wye

35. Rispah: 2nd Book of Samuel, Chap. 21

36. Crypt of Kirkstall Abbey

37. Bridge and Cows

38. The Fifth Plague of Egypt

39. The Drawing of the Clyde

40. Glaucus and Scylla

41. Bonneville, Savoy

42. Introduction to the Fables, The Shepherd and the Philosopher

43. Fable XXIV. The Butterfly and the Snail

44. Fable XXII. The Goat Without a Beard

45. Fable VI. The Miser and Plutus

46. Fable XIII. The Tame Stag

47. Fable XXVIII. The Persian, the Sun, and the Cloud

48. Fable XXX. The Setting-dog and the Partridge

49. Fable XLI. The Owl and the Farmer

50. Fable XVI. The Ravens, the Sexton, and the Earth-Worm

51. Fable XVI. The Pin and the Needle

52. Fable I. The Dog and the Fox

53. Fable XII. Pan and Fortune

54. Travelling Monks

55. St. Mawes, Cornwall

56. Dover from Shakespeare's Cliff

57. Ivy Bridge, Devonshire

58. Ivy Bridge, Devonshire

59. The Rialto, Venice

60. Bridge at Narni

61. Rye, Sussex

62. The Roman Forum, from the Tower of the Capitol

63. Tomb of Cecilia Metella

64. Florence, from the Chiesa al Monte

65. Junction of the Greta and Tees at Rokeby

66. Lulworth Cove, Dorset

67. Plymouth from Mount Batten

68. Fowey, Cornwall

69. Château d'Arc, near Dieppe

70. Inverness

71. Rome from the Farnesean Gardens

72. Isola Bella, on the Lago Maggiore

73. Egglestone Abbey, near Barnard Castle

74. Merrick Abbey, Swaledale