Materials & Techniques: etching (printing process) / Image Available: Unavailable / Width [cm]: 25

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

1874

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by William Blake, 1757–1827

Iron Age

1794

Print made by Sir David Young Cameron, 1865–1945

R. 43. Arran. No. 14 in the Clyde Set

1889

Print made by Sir David Young Cameron, 1865–1945

The Paris Set: R. 365 Restaurant Cavalier

1904

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808

Print made by Arthur Pond, ca. 1705–1758

St. Magdalene in Penitence

1734

Print made by Charles Knapton, 1700–1760

The Tomb of Cecilia Metella

1735

Print made by Paul Adolphe Rajon, 1842–1888

John Stuart Mill

1874

Print made by Arthur Pond, ca. 1705–1758

The Child Christ and Saint Joseph

ca. 1732-1736

Print made by Francis Dodd, 1874–1949

Sir D. Y. Cameron

1923

Print made by Stanley Roy Badmin, 1906–1989

Priory Pond, Stroud

1932

William Lee Hankey, 1869–1952

Mere et son fils

1918

William Lee Hankey, 1869–1952

The End of the Day

between 1911 and 1912

William Lee Hankey, 1869–1952

The Summer Moon

1905

Print made by Martin Hardie, 1875–1952

Corfe Castle

1913

Print made by William Baillie, 1723–1810

Portrait of Sofonisba Angusciola Pittrice

between 1761 and 1786

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

Man Overboard

1926

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943

The Main Brace

1929

Print made by Stephen Buckley, born 1944

Ten Colour Etchings Portfolio

1979

James Gillray, 1756–1815

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray, 1756–1815

The Apotheosis of the Corsican Phoenix

1808

James Gillray, 1756–1815

Pizarro, Contemplating (over) The Product of His Peruvian Mine

1799

James Gillray, 1756–1815

Pillars of the Constitution - Three O'Clock and A Cloudy Morning

1809

James Gillray, 1756–1815

Delicious Weather

1808

James Gillray, 1756–1815

Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

1802

James Gillray, 1756–1815

Sketch of the Interior of St. Stephen's, as It Now Stands. -

1802

James Gillray, 1756–1815

Forming a Line on the Parade

1801

Print made by Sir David Young Cameron, 1865–1945

Ponte della Trinita, Florence

between 1902 and 1907

Print made by Sir David Young Cameron, 1865–1945

Stonehenge

1928