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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
7
Creator
Girtin, Thomas, 1775–1802
7
Lewis, Frederick Christian the Elder, 1779–1856
5
Harraden, James, active 1801–1814
1
Harraden, Richard Banks, 1778–1862
1
Date
1803
7
On-site Access
Accessible by appointment in the Study Room
7
Image Use
Free to Use
7
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Available
7
Classification
Prints
7
Creator Gender
male
7
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
7
Period
19th century
7
Materials & Techniques
aquatint
7
etching (printing process)
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7
hand coloring
1
watercolor
1
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Work Type
intaglio print
7
Genre
cityscape
6
architectural subject
4
landscape
1
Subject Terms
architectural subject
3
bridge (built work)
3
cityscape
3
river
3
Associated Places
Europe
7
France
7
Val-de-Marne
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7
Île-de-France
7
Charenton-le-Pont
5
Pont de Charenton-le-Pont
5
Marne
3
Choisy-le-Roi
2
Seine
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
7
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etching (printing process)
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Val-de-Marne
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1
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
2
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
3
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
4
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
5
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
6
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
7
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803