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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Period 19th century

Remove constraint Period: 19th century

Width [cm] 35

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Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner Chain of Alps from Grenoble to Chamberi
Etched by Joseph Mallord William Turner, 1775–1851
Chain of Alps from Grenoble to Chamberi
1812
William Bernard Cooke Martello Towers at Bexhill
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
James C. Allen St. Mawes, Cornwall
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
George Cooke Land's End, Cornwall
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1821
John Byrne Tomb of Cecilia Metella
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
Alphonse Legros Thomas Carlyle
Print made by Alphonse Legros, 1837–1911
Thomas Carlyle
between 1852 and 1877
William Heath Finis
Print made by William Heath, 1795–1840
Finis
1829
Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"
Print made by Henry William Bunbury, 1750–1811
Pistol eating Fluellen's Leak - "Henry V"
between 1811 and 1815
George Cruikshank A Scene in the New Farce - as Performed at the Royalty Theatre!
Print made by George Cruikshank, 1792–1878
A Scene in the New Farce - as Performed at the Royalty Theatre!
1821
James Gillray A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
James Charles Armytage The Balcony
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
James Charles Armytage The Monk
Print made by James Charles Armytage, 1802–1897
The Monk
between 1833 and 1853
Sir David Young Cameron Venice from the Lido [North Italian Set: No. 17]
Print made by Sir David Young Cameron, 1865–1945
Venice from the Lido [North Italian Set: No. 17]
1896
Sir David Young Cameron The Palace Doorway [North Italian Set: No. 22]
Print made by Sir David Young Cameron, 1865–1945
The Palace Doorway [North Italian Set: No. 22]
1895
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1815
James C. Allen Aldborough
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
James C. Allen Dunwich
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826
James Bretherton The Salutation Tavern
Print made by James Bretherton, ca. 1730–1806
The Salutation Tavern
1801
Sir Frank Short Huntsmen in a Wood
Print made by Sir Frank Short, 1857–1945
Huntsmen in a Wood
1891
Frederick Christian Lewis the Elder New Weir on the Wye (replica reversed)
Print made by Frederick Christian Lewis the Elder, 1779–1856
New Weir on the Wye (replica reversed)
1825
Sir Francis Seymour Haden Shere Mill Pond, no. 2 (large plate)
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 2 (large plate)
1860
Sir Francis Seymour Haden Whistler's House at Old Chelsea
Sir Francis Seymour Haden, 1818–1910
Whistler's House at Old Chelsea
1863
Sir Francis Seymour Haden Whistler's House at Old Chelsea
Print made by Sir Francis Seymour Haden, 1818–1910
Whistler's House at Old Chelsea
1863
Sir Francis Seymour Haden A River in Ireland
Sir Francis Seymour Haden, 1818–1910
A River in Ireland
1864
Samuel William Reynolds Dartmouth, on the River Dart
Print made by Samuel William Reynolds, 1773–1835
Dartmouth, on the River Dart
1823 to 1827
John Augustus Atkinson Costume of the Reign of King Henry III, 1250
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
Sir George Hayter, 1792–1871
Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
1828
Robert Isaac Cruikshank Dandies Having a Treat
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
George Cruikshank Traveling in France -or, -Le départ de la diligence
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
Frederick Bromley Sir Robert Chambers
Print made by Frederick Bromley, active 1856–1860
Sir Robert Chambers
1862
Robert Isaac Cruikshank A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
Print made by Robert Isaac Cruikshank, 1789–1856
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
1824
George Cruikshank Specimens of Waltzing
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
Sir David Young Cameron Perth Bridge
Print made by Sir David Young Cameron, 1865–1945
Perth Bridge
1889
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1823
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
John Sell Cotman Etchings by John Sell Cotman, Volume II
Print made by John Sell Cotman, 1782–1842
Etchings by John Sell Cotman, Volume II
1811
Sir Frank Short The Mildmay Sea-Piece
Print made by Sir Frank Short, 1857–1945
The Mildmay Sea-Piece
1886
William Bernard Cooke Plymouth Sound
Print made by William Bernard Cooke, 1778–1855
Plymouth Sound
1823
George Cruikshank Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
Matthew Dubourg Partridge Shooting
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James McNeill Whistler The "Adam and Eve," Old Chelsea
James McNeill Whistler, 1834–1903
The "Adam and Eve," Old Chelsea
1879
Henry Heath Out of Court. Auspicium Melioris Devi
Print made by Henry Heath, active 1824–1835
Out of Court. Auspicium Melioris Devi
1827
Henry Heath A Parti Carré for a Crown
Print made by Henry Heath, active 1824–1835
A Parti Carré for a Crown
1827
Henry Heath Diogenes in Search of an Honest Ministry
Print made by Henry Heath, active 1824–1835
Diogenes in Search of an Honest Ministry
1827
William Heath A Mistake
Print made by William Heath, 1795–1840
A Mistake
1829
Edmund Turrell The Temple of Aphaia at Aegina: Sections
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Sections
1860
John Hill St. Sepulchres, The Round Church
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
Luigi Schiavonetti The Reunion of the Soul & the Body
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
Luigi Schiavonetti Christ Descending into the Grave
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
Luigi Schiavonetti Death's Door
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
James Gillray The Nursery, with, Britannia Reposing in Peace
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
James Gillray The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
James Gillray Introduction of Citizen Volpone - and His Suite, at Paris
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
James Gillray German - Nonchalence: - or - The Vexation of Little Boney.
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
Sir Frank Short St. Mary Redcliffe, Bristol
Print made by Sir Frank Short, 1857–1945
St. Mary Redcliffe, Bristol
1888
James Gillray British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
James Gillray Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
James Gillray Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
James Gillray The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
James Gillray The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
James Gillray The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
Sir Frank Short The "Victory" Coming Up Channel
Print made by Sir Frank Short, 1857–1945
The "Victory" Coming Up Channel
1891
Sir Frank Short Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces
Print made by Sir Frank Short, 1857–1945
Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces
1889
Charles Williams A Scene from the Beggars Opera the Principal Characters by his Majesty's Servants
Print made by Charles Williams, active 1796–1830
A Scene from the Beggars Opera the Principal Characters by his Majesty's Servants
ca. 1805
Thomas Jones The Allied Gourmands Taking a Luncheon; or the Turkey in Danger
Print made by Thomas Jones, active 1828
The Allied Gourmands Taking a Luncheon; or the Turkey in Danger
1828
Robert Seymour The Turkey at Bay
Print made by Robert Seymour, 1798–1836
The Turkey at Bay
ca. 1825
Charles Williams Tears of Repentance. Cabinet In's and Out's
Print made by Charles Williams, active 1796–1830
Tears of Repentance. Cabinet In's and Out's
1827
Henry H. Meyer George Granville Leveson Gower, Marquis of Stafford, K.G.
Print made by Henry H. Meyer, 1782–1847
George Granville Leveson Gower, Marquis of Stafford, K.G
1811
William Bond General Sir George Augustus Eliott, K.B.
Print made by William Bond, active 1772–1831, died 1842
General Sir George Augustus Eliott, K.B
1813
Charles Jameson Grant Luminous Don Key
Charles Jameson Grant, active 1830–1852
Luminous Don Key
ca. 1830
Charles Williams Billy's Ghost, or, Seasonable Admonition
Print made by Charles Williams, active 1796–1830
Billy's Ghost, or, Seasonable Admonition
1806
John Phillips The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
Print made by John Phillips, active 1840–1852
The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage
1827
Thomas Jones Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
Print made by Thomas Jones, active 1828
Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing
1827
George Moutard Woodward Sketches of Fairy-Land or a Comparison between England & Lilliput
Print made by George Moutard Woodward, ca. 1760–1809
Sketches of Fairy-Land or a Comparison between England & Lilliput
ca. 1819
John Cawse The Bond Street Battalion - or the Hospital Staff from Holland!!!
Print made by John Cawse, 1779–1862
The Bond Street Battalion - or the Hospital Staff from Holland!!!
1799