Materials & Techniques: etching (printing process) / Period: 18th century / Height [cm]: 7

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Materials & Techniques etching (printing process)

Period 18th century

Height [cm] 7

Print made by William Blake, 1757–1827

Title Page, For Children. The Gates of Paradise (Plate 2)

1793

Print made by William Blake, 1757–1827

The Traveller Hasteth in the Evening (Plate 16)

1793

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1793

Print made by William Blake, 1757–1827

I Want! I Want! (Plate 11)

1793

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

Print made by William Blake, 1757–1827

Help! Help! (Plate 12)

1793

Print made by William Blake, 1757–1827

I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

1793

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salomon

1794

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

unknown artist

Head of a Lion

1756

Henry Swinburne, 1743–1803

Coat of Arms

1777

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Callender, active mid–18th century

Voluntier

1745

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Wilson, active 1793

Fable XLVI. The Cur, the Horse, and the Shepherd's Dog

1793

Print made by Wilson, active 1793

Fable XVIII. The Painter Who Pleased No Body and Every Body

1793

Print made by Philip Audinet, 1766–1837

Fable XXXI. The Universal Apparition

1793

Print made by Francesco Bartolozzi, 1728–1815

Visiting Card of Sir Joshua Reynolds

1790

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