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Materials & Techniques etching (printing process)
Remove constraint Materials & Techniques: etching (printing process)Date 1841
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1. Abbotsford
- Date:
- 1841
- Materials & Techniques:
- Etching; open etched state
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1841
- Materials & Techniques:
- Etching and roulette on moderately thick, smooth, beige wove paper mounted on canvas
- Dimensions:
- Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of David Bindman
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving, second state on thick, moderately textured, beige wove paper, with cream chine collé
- Dimensions:
- Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving; fourth state on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
- Dimensions:
- Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- undated
- Materials & Techniques:
- Etching and stipple engraving on moderately thick, smooth, beige wove paper
- Dimensions:
- Sheet: 9 3/4 × 6 1/4 inches (24.8 × 15.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
9. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
- Date:
- 1841
- Materials & Techniques:
- Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- undated
- Materials & Techniques:
- Etching and stipple engraving on moderately thick, smooth, beige wove paper
- Dimensions:
- Sheet: 10 1/16 × 6 5/8 inches (25.6 × 16.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
11. A Sunny Day
- Date:
- ca. 1846
- Materials & Techniques:
- Etching with line engraving on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 9 3/4 × 13 1/8 inches (24.8 × 33.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of James Wilson, YCBA Docent
- Date:
- ca. 1846
- Materials & Techniques:
- Etching with line engraving on thin, slightly textured, cream wove paper
- Dimensions:
- Sheet: 8 1/4 × 11 inches (21 × 28 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of James Wilson, YCBA Docent
- Date:
- 1841
- Materials & Techniques:
- Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 15 3/8 × 21 1/4 inches (39.1 × 54 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund