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Collection
Prints and Drawings
20
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
12
Wallis, Robert, 1794–1878
6
Heath, William, 1795–1840
4
McLean, Thomas, 1788–1875
4
Goodall, Edward, 1795–1870
2
Radclyffe, William, 1780–1855
2
Armytage, James Charles, -1897
1
Barber, Thomas, 1771–1843
1
Danforth, Moseley Isaac, 1800–1862
1
Elliott, Robert James Commander, 1790–1849
1
Fisher,, Son & Co., active 1821–1848
1
Jones, & Co., active 1822–1850
1
Leslie, Charles Robert, 1794–1859
1
Miller, William, 1796–1882
1
Phillips, Thomas, 1770–1845
1
Shepherd, Thomas Hosmer, 1792–1864
1
Smith, William R., active 1819–1851
1
Unknown artist
1
Date
1782
158
1830
134
1793
116
1808
109
1859
101
1834
96
1818
88
1792
75
1630
71
1814
68
1836
68
1835
65
1816
64
1850
61
1811
60
1827
60
1800
56
1803
55
1820
54
1797
53
1819
51
1789
50
1812
50
1807
47
1813
44
1739
43
1826
42
1795
41
1825
41
1821
40
1802
39
1822
37
1745
32
1832
32
1776
31
1824
31
1732
28
1735
28
1773
28
1810
28
1864
28
1806
25
1809
25
1779
24
1799
24
1900
24
1791
23
1855
23
1765
22
1794
22
1796
22
1833
22
1839
22
1863
22
1902
22
1907
22
1725
21
1842
21
1801
20
1817
20
1823
20
1829
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20
1896
20
1772
19
1775
19
1787
19
1788
19
1786
18
1790
18
1838
18
1857
18
1715
17
1780
17
1828
17
1860
17
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17
1877
17
1887
17
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1741
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1751
16
1784
16
1804
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1893
16
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16
1912
16
1747
15
1837
15
1841
15
1881
15
1891
15
1815
14
1852
14
1892
14
1897
14
1901
14
1918
14
1737
13
On-site Access
Accessible by appointment in the Study Room
20
Image Use
Free to Use
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20
Image Available
Available
19
Unavailable
1
Classification
Prints
20
Creator Gender
male
20
unknown
1
Collective Title
Picturesque Views in England and Wales
6
Rogers's Italy
6
The Tragedy of Othello, the Moor of Venice
2
Period
19th century
20
Materials & Techniques
etching (printing process)
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20
wove paper
19
line engraving
14
chine collé
4
hand coloring
2
stipple engraving
2
watercolor
2
soft-ground etching
1
Height [cm]
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45
Width [cm]
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42
Work Type
intaglio print
20
Genre
landscape
7
architectural subject
5
marine art
5
animal art
3
cityscape
3
religious and mythological subject
3
literary theme
2
portrait
2
Subject Terms
costume
3
dresses
3
The Tragedy of Othello, the Moor of Venice, play by William Shakespeare
2
architectural subject
2
columns
2
lake
2
landscape (representation)
2
literary theme
2
marine art
2
opera
2
plays by William Shakespeare
2
sashes
2
singing
2
theater
2
turban
2
vest
2
arches
1
artist
1
bonnets
1
buildings
1
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Subject Terms
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Associated Places
Europe
2
Italy
2
Switzerland
2
Alps
1
Amalfi
1
Apsley House
1
City of Westminster
1
Elephanta Caves
1
England
1
Geneva, Lake of
1
Greater London
1
Gulf of Naples
1
Hyde Park
1
India
1
Lucerne, Lake
1
Mediterranean Sea
1
Naples
1
Sisikon
1
Tellskapelle
1
United Kingdom
1
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Associated Places
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Associated People
Desdemona (character in Othello)
2
Othello (character in Othello, the Moor of Venice)
2
Shakespeare, William (1564–1616), playwright and poet
2
Wilkie, Sir David (1785–1841), painter of genre, historical subjects, and portraits
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
15
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
1
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, transfer from the Yale University Art Gallery Collection
1
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Materials & Techniques
etching (printing process)
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Date
1829
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1
Print made by William Heath, 1795–1840
Finis
1829
2
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Otello
1829
3
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Othello
1829
4
Print made by Edward Goodall, 1795–1870
Naples
1829
5
Print made by Robert Wallis, 1794–1878
Amalfi
1829
6
Print made by Edward Goodall, 1795–1870
The Lake of Geneva
1829
7
Print made by Robert Wallis, 1794–1878
William Tell's Chapel
1829
8
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1829
9
Print made by Robert Wallis, 1794–1878
St. Maurice
1829
10
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1829
11
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1829
12
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1829
13
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
14
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
15
Print made by Robert Wallis, 1794–1878
Stone Henge
1829
16
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
17
Print made by James Charles Armytage, 1802–1897
Sir David Wilkie
after 1829
18
Print made by William Heath, 1795–1840
A Mistake
1829
19
Print made by unknown artist
Entrance to the Cave of Elephanta
ca. 1834
20
Print made by Moseley Isaac Danforth, 1800–1862
Portrait of Miss Fox, Daughter of Lord Holland, later Lady Lilford
1829