Materials & Techniques: etching (printing process) / Date: 1829

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Materials & Techniques etching (printing process)

Date 1829

Print made by Robert Wallis, 1794–1878

William Tell's Chapel

1829

Print made by Robert Wallis, 1794–1878

Amalfi

1829

Print made by Edward Goodall, 1795–1870

Naples

1829

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1829

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard II (The Dead-House)

1829

Print made by Robert Wallis, 1794–1878

St. Maurice

1829

Print made by William Heath, 1795–1840

Finis

1829

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Othello

1829

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1829

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by William Heath, 1795–1840

A Mistake

1829

Print made by unknown artist

Entrance to the Cave of Elephanta

ca. 1834

Print made by Moseley Isaac Danforth, 1800–1862

Portrait of Miss Fox, Daughter of Lord Holland, later Lady Lilford

1829

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