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Collection
Prints and Drawings
42
Creator
Blake, William, 1757–1827
20
Turner, J. M. W. (Joseph Mallord William), 1775–1851
12
Cooke, George, 1781–1834
6
Bell, John, 1811–1895
2
Etching, Club, active 1838–1885
2
Harris, John, 1811–1865
2
Lupton, Thomas Goff, 1791–1873
2
Miller, William, 1796–1882
2
Unknown artist
2
Callcott, Augustus Wall, Sir, 1779–1844
1
Constable, John, 1776–1837
1
Cooper, Robert, active ca. 1800–1836
1
Cruikshank, George, 1792–1878
1
Edwards, William Camden, 1777–1855
1
Goodall, Edward, 1795–1870
1
Graves, Robert, 1798–1873
1
Harding, George Perfect, 1780–1853
1
Hilliard, Nicholas, ca. 1547–1619
1
Major, John, active 1828–1833
1
Mor, Antonis, 1517–1577
1
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Date
1782
158
1830
134
1793
116
1808
109
1859
101
1834
96
1818
88
1792
75
1630
71
1814
68
1836
68
1835
65
1816
64
1850
61
1811
60
1827
60
1800
56
1803
55
1820
54
1797
53
1819
51
1789
50
1812
50
1807
47
1813
44
1739
43
1826
[remove]
42
1795
41
1825
41
1821
40
1802
39
1822
37
1745
32
1832
32
1776
31
1824
31
1732
28
1735
28
1773
28
1810
28
1864
28
1806
25
1809
25
1779
24
1799
24
1900
24
1791
23
1855
23
1765
22
1794
22
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22
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22
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22
1863
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22
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22
1725
21
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21
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1896
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1784
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1747
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1837
15
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15
1881
15
1891
15
1815
14
1852
14
1892
14
1897
14
1901
14
1918
14
1737
13
On-site Access
Accessible by appointment in the Study Room
42
Image Use
Free to Use
[remove]
42
Image Available
Available
42
Classification
Prints
42
Creator Gender
male
42
unknown
2
Collective Title
For the Sexes: The Gates of Paradise, Copy G
20
Cooke's Picturesque Views of the Southern Coast of England
7
Provincial Antiquities and Picturesque Scenery of Scotland
2
The Ports of England
2
Joseph Andrews
1
The Literary Souvenir
1
Period
19th century
42
Materials & Techniques
etching (printing process)
[remove]
42
wove paper
39
line engraving
34
chine collé
6
laid paper
3
stipple engraving
2
drypoint
1
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
6
to
51
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
4
to
50
Work Type
intaglio print
42
frontispiece
1
Genre
literary theme
20
religious and mythological subject
20
landscape
10
marine art
7
military art
7
architectural subject
3
portrait
3
historical subject
2
cityscape
1
genre subject
1
Subject Terms
literary theme
20
religious and mythological subject
20
text
17
men
13
children
9
nudes
9
trees
7
beard
6
leaf
6
wings
5
church
4
hat
4
marine art
4
night
4
sitting
4
angel
3
architectural subject
3
baby
3
branches
3
cane
3
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Subject Terms
»
Associated Places
United Kingdom
8
England
6
Europe
4
Bass Rock
2
Bass Rock Castle
2
East Lothian
2
English Channel
2
Forth, Firth of
2
Hereford and Worcester
2
Kent
2
North Sea
2
Scotland
2
Worcester
2
Deal
1
Folkestone
1
Hampshire
1
London
1
Netley
1
Netley Abbey
1
North Yorkshire
1
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Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Esdaile, William (1758–1837), banker and print collector
1
Hilliard, Nicholas (ca. 1547–1619), miniature painter
1
Mor, Antonis (born 1512–1516, died ca. 1576), portrait painter
1
demon
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
John Constable: The Late work (Royal Academy of Arts, 2021-10-30 - 2022-02-13)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
38
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
1
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Materials & Techniques
etching (printing process)
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Date
1826
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1
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
2
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
3
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
4
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
5
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
6
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
7
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
8
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
9
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
10
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
11
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
12
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
13
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
14
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
15
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
16
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
17
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
18
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
19
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
20
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
21
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
22
Print made by Edward Goodall, 1795–1870
Richmond Hill
1826-1832
23
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1826
24
Print made by William Radclyffe, 1780–1855
Deal, Kent
1826
25
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
26
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
27
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
28
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
29
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
30
Print made by William Miller, 1796–1882
Bass Rock
1826
31
Print made by William Miller, 1796–1882
Bass Rock
1826
32
George Cooke, 1781–1834
Billingsgate
1826
33
William Camden Edwards, 1777–1855
Nicholas Hilliard
1826
34
Print made by John Bell, 1811–1895
The Web
undated
35
Print made by John Bell, 1811–1895
The City of the Pestilence
between 1826 and 1852
36
Print made by George Cruikshank, 1792–1878
Adams's Visit to Parson Trulliber
ca. 1831
37
John Harris, 1811–1865
The Cathedral Church of Worcester
undated
38
Print made by Robert Cooper, active ca. 1800–1836
A. More
1826
39
John Harris, 1811–1865
The North Prospect of the Cathedral Church of St. Mary at Worcester
undated
40
Print made by Thomas Goff Lupton, 1791–1873
Wrapper to 'Ports of England'
1826
41
Print made by Robert Graves, 1798–1873
William Esdaile
1826
42
Print made by Thomas Goff Lupton, 1791–1873
Wrapper to 'Ports of England'
1826