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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
37
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
19
Dubourg, Matthew, active 1786–1838
5
Arnald, George, 1763–1841
4
Pollard, James, 1792–1867
4
Watson, Jonathan, 1820–1847
4
Cooke, William Bernard, 1778–1855
3
Heath, William, 1795–1840
3
Middiman, Samuel, ca. 1750–1831
3
Smith, William R., active 1819–1851
3
Le, Keux Henry, 1787–1868
2
Le, Keux John, 1783–1846
2
McLean, Thomas, 1788–1875
2
Radclyffe, William, 1780–1855
2
Varrall, J. C., active 1815–1827
2
Ackermann, Rudolph, 1764–1834
1
Berthoud, Henry, 1790/1810–1864
1
Bowyer, Robert, 1758–1834
1
Clint, George, 1770–1854
1
Colkett, Samuel David, 1806–1863
1
Cooke, George, 1781–1834
1
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Date
1782
158
1830
134
1793
116
1808
109
1859
101
1834
97
1818
88
1999
80
1792
75
1630
71
1800
71
1814
70
1836
68
1816
65
1835
65
1850
62
1811
60
1827
60
1803
55
1820
54
1797
53
1819
53
1916
53
1789
50
1812
50
1807
48
1925
48
1896
45
1813
44
1739
43
1897
43
1826
42
1795
41
1825
41
1821
40
1802
39
1822
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37
1923
36
1915
35
1887
34
1927
34
1745
32
1832
32
1913
32
1776
31
1824
31
1890
31
1911
31
1907
30
1983
30
1810
29
1904
29
1926
29
1732
28
1735
28
1773
28
1900
28
1902
27
1920
27
1799
26
1864
26
1912
26
1990
26
1806
25
1809
25
1928
25
1779
24
1891
24
1791
23
1855
23
1919
23
1922
23
1929
23
1765
22
1794
22
1796
22
1833
22
1839
22
1863
22
1725
21
1801
21
1842
21
1910
21
1817
20
1823
20
1829
20
1893
20
1906
20
1917
20
1921
20
1930
20
1950
20
2012
20
1772
19
1775
19
1787
19
1788
19
1857
19
1889
19
1918
19
On-site Access
Accessible by appointment in the Study Room
37
Image Use
Free to Use
37
Image Available
Available
36
Unavailable
1
Classification
Prints
37
Creator Gender
male
37
unknown
1
Collective Title
Whitaker's History of Richmondshire
10
Cooke's Picturesque Views of the Southern Coast of England
3
Provincial Antiquities and Picturesque Scenery of Scotland
2
Picturesque Views in England and Wales
1
Period
19th century
37
Materials & Techniques
etching (printing process)
[remove]
37
wove paper
32
line engraving
18
chine collé
12
hand coloring
9
aquatint
5
watercolor
5
laid paper
4
brown ink
2
graphite
2
mezzotint
2
stipple engraving
2
engraver's proof
1
engraving (printing process)
1
touched proof
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
10
to
67
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
93
Work Type
intaglio print
37
Genre
landscape
25
architectural subject
10
genre subject
9
marine art
6
animal art
5
cityscape
5
sporting art
5
historical subject
2
military art
2
portrait
2
Subject Terms
river
10
landscape
9
genre subject
8
trees
8
costume
7
landscape (representation)
7
cityscape
6
hills
6
marine art
6
men
6
architectural subject
5
breeches (trousers)
5
church
5
hunting
5
mountains
5
sporting art
5
abbey
4
animal art
4
boats
4
castle
4
more
Subject Terms
»
Associated Places
England
12
United Kingdom
11
Europe
5
Meuse
4
North Sea
4
North Yorkshire
4
Belgium
3
Foreness Point
3
Hornby
3
Hornby Castle
3
Kent
3
Lancashire
3
Margate
3
Margate Lighthouse
3
Richmond
3
Swale
3
Tatham
3
Wenning
3
Bouvignes-sur-Meuse
2
Church of St. James the Less
2
more
Associated Places
»
Associated People
George IV (1762–1830), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Hayter, George (1792–1871), British painter and printmaker
1
Wilkinson, Tate (1739–1803), actor and theatre manager
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Sir George Hayter and Victorian History Paintings (The Art Museum Princeton, 1995-02-04 - 1995-04-15)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
26
Yale Center for British Art, Paul Mellon Fund
5
Yale Center for British Art, Gift of Godfrey Pearlson
3
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
1
Yale Center for British Art, Gift of David M. Doret
1
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
1
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Materials & Techniques
etching (printing process)
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Date
1822
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1
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
2
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
3
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
4
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1822
5
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
6
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
7
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
8
Print made by William Bernard Cooke, 1778–1855
Margate, Kent
1822
9
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
10
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
11
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
12
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
13
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
14
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
15
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
16
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
17
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
18
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
19
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
20
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
21
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
22
Anker Smith, 1759–1819
Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action
1822
23
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
24
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1822
25
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822
26
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
27
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
28
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
29
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
30
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
31
Sir George Hayter, 1792–1871
Sir George Hayter
1822
32
Print made by Robert Cooper, active ca. 1800–1836
Mr. Wilkinson as Michael in Free & Easy
1822
33
Print made by unknown artist
Winding Silk
1822
34
Print made by William Heath, 1795–1840
Druming Out. Or Making an Example of a Mutineer
ca. 1827
35
Print made by William Heath, 1795–1840
The New Petty Coat Administration
ca. 1827
36
Print made by William Heath, 1795–1840
Sailors on Shore at Navarino
ca. 1827
37
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822