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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
15
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
15
Reynolds, Samuel William, 1773–1835
4
Dawe, Henry E., 1790–1848
2
Lupton, Thomas Goff, 1791–1873
2
Say, William, 1768–1834
2
Allen, James C., active 1821–1831
1
Date
1811
38
1812
29
1859
28
1808
25
1990
24
1776
16
1813
15
1819
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1839
15
1807
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1896
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1835
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1742
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1732
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1831
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1864
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1734
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1935
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0
1
On-site Access
Accessible by appointment in the Study Room
15
Image Use
Free to Use
15
Image Available
Available
15
Classification
Prints
15
Creator Gender
male
15
Collective Title
Liber Studiorum
13
Holloway's Continuation of England and Wales
1
Period
19th century
15
Materials & Techniques
etching (printing process)
[remove]
15
brown ink
14
mezzotint
13
laid paper
12
wove paper
3
chine collé
1
engraving (printing process)
1
Height [cm]
Height [cm] range begin
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Current results range from
18
to
29
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
25
to
45
Work Type
intaglio print
15
Genre
landscape
12
architectural subject
8
religious and mythological subject
4
literary theme
2
figure study
1
marine art
1
Subject Terms
religious and mythological subject
3
tree
3
landscape
2
nymph
2
sunlight
2
water well
2
woman
2
Aesacus is changed into a diving bird while pursuing the nymph Hesperia (or Asterope), who is bitten by a snake
1
Bible
1
Christ explaining his doctrine to women and children
1
Metamorphoses
1
New Testament
1
arch
1
archways
1
branches
1
building
1
bush
1
city
1
cityscape
1
figure study
1
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Subject Terms
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Associated Places
All Saints Church Ruins
1
Asia
1
Dunwich
1
England
1
Israel
1
North Sea
1
Samaria
1
Suffolk
1
United Kingdom
1
Associated People
Aesacus
2
Hesperie
2
Christ
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
15
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Materials & Techniques
etching (printing process)
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Date
1819
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Height [cm]
18
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1
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
2
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
3
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
4
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
6
Etched by Joseph Mallord William Turner, 1775–1851
The Alcove, Isleworth
1819
7
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
8
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
9
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
10
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
11
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
12
Print made by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
13
Etched by Joseph Mallord William Turner, 1775–1851
Isis
1819
14
Etched by Joseph Mallord William Turner, 1775–1851
East Gate, Winchelsea, Sussex
1819
15
Print made by James C. Allen, active 1821–1831
Dunwich
1819-1826