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Collection
Prints and Drawings
88
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
79
Hakewill, James, 1778–1843
35
Pye, John, 1782–1874
16
Cooke, George, 1781–1834
10
Arnald, George, 1763–1841
6
Heath, Charles, 1785–1848
6
Murray, John, founded 1768
6
Smith, William R., active 1819–1851
6
Byrne, John, 1786–1847
5
Cooke, William Bernard, 1778–1855
5
Hollis, George, 1792–1842
5
Le, Keux John, 1783–1846
5
Middiman, Samuel, ca. 1750–1831
5
Rawle, Samuel, 1771–1860
4
Fittler, James, 1758–1835
3
Higham, Thomas, 1796–1844
3
Landseer, John, 1769–1852
3
Scott, John, 1774–1828
3
Allason, Thomas, 1790–1852
2
Lupton, Thomas Goff, 1791–1873
2
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1830
134
1793
108
1859
101
1834
96
1818
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88
1999
80
1792
71
1836
70
1814
68
1630
65
1835
64
1816
61
1808
59
1811
57
1800
56
1797
53
1819
53
1820
52
1827
52
1812
50
1850
48
1789
47
1807
43
1739
42
1826
42
1813
40
1821
39
1897
38
1803
37
1825
37
1822
36
1896
32
1824
31
1890
31
1745
30
1795
30
1802
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1832
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1983
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1925
29
1773
28
1864
26
1990
26
1810
25
1779
24
1902
24
1765
23
1916
23
1732
22
1833
22
1855
22
1887
22
1907
22
1911
22
1791
21
1794
21
1839
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1915
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1927
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1995
18
1715
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1782
17
1790
17
1838
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1865
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1904
17
1912
17
1926
17
1741
16
1762
16
1828
16
1860
16
1877
16
1751
15
1786
15
1788
15
1804
15
1891
15
On-site Access
Accessible in the Study Room
88
Image Use
Free to Use
88
Image Available
Available
[remove]
88
Classification
Prints
88
Creator Gender
male
88
Collective Title
A Picturesque Tour of Italy
35
Whitaker's History of Richmondshire
31
Cooke's Picturesque Views of the Southern Coast of England
5
Liber Studiorum
2
Picturesque Views of the Antiquities of Pola in Istria
2
Cooke's Views in Sussex
1
Period
19th century
88
Materials & Techniques
etching (printing process)
[remove]
88
wove paper
71
line engraving
61
chine collé
44
laid paper
18
engraving (printing process)
16
stipple engraving
6
mezzotint
5
brown ink
3
colored ink
2
sepia
2
engraver's proof
1
Height [cm]
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Current results range from
12
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59
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Width [cm] range begin
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Current results range from
14
to
89
Work Type
intaglio print
88
frontispiece
2
Genre
landscape
64
architectural subject
45
cityscape
24
marine art
11
genre subject
10
animal art
3
botanical subject
1
portrait
1
Subject Terms
river
38
landscape (representation)
31
architectural subject
24
cityscape
17
church
13
bridge
11
castle
8
genre subject
8
men
8
abbey
7
trees
7
waterfall
7
boats
6
canoes
6
cliffs
6
poles
6
riverbanks
6
ruin
6
sampans
6
marine art
5
more
Subject Terms
»
Associated Places
England
30
United Kingdom
29
Europe
22
Italy
15
Durham
13
Tees
12
North Yorkshire
9
Richmond
8
Meuse
6
Swale
6
Grand Canal
4
Greta
4
Lazio
4
Ponte di Rialto
4
San Bartolomeo church
4
Veneto
4
Venezia
4
Wycliffe
4
Wycliffe Hall
4
Abbey of St. Agatha, Easby
3
more
Associated Places
»
Associated People
Royal Academy
1
West, Benjamin (1738–1820), American history painter active in Britain
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
81
Yale Center for British Art, Paul Mellon Fund
6
Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957
1
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
3
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
4
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
5
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1818-1823
6
Etched by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1818
7
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818
8
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
9
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818
10
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
11
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
12
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
13
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
14
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
15
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
16
Print made by Thomas Goff Lupton, 1791–1873
Ploughing, Eton
1818, printed after 1851
17
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
18
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
19
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
20
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
21
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
22
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
23
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
24
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
25
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
26
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
27
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
28
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
29
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
30
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
31
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
32
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
33
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
34
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
35
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
36
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
37
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
38
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
39
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
40
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
41
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
42
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
43
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
44
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
45
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
46
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
47
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
48
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
49
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
50
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
51
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
52
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
53
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
54
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
55
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
56
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
57
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
58
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
59
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
60
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
61
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
62
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
63
Print made by William Richardson, active 1842–1877
The Roman Forum, from the Tower of the Capitol
1818-1820
64
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
65
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
66
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
67
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
68
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
69
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
70
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
71
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
72
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
73
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
74
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
75
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
76
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
77
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
78
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
79
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
80
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
81
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
82
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
83
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
84
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
85
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
86
Print engraved by John Pye, 1782–1874
Hardraw Fall
1818
87
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
88
Print made by George Cooke, 1781–1834
Naples, from the Mole
1818-1820