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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
23
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
23
Dawe, Henry E., 1790–1848
6
Turner, Charles, 1774–1857
4
Lupton, Thomas Goff, 1791–1873
3
Hodgetts, Thomas, active 1801–1846
2
Say, William, 1768–1834
2
Date
1811
36
1812
36
1808
25
1816
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23
1813
22
1819
16
1807
12
1809
10
1814
2
1817
2
1818
2
1858
1
1860
1
1864
1
On-site Access
Accessible by appointment in the Study Room
23
Image Use
Free to Use
23
Image Available
Available
23
Classification
Prints
23
Creator Gender
male
23
Collective Title
Liber Studiorum
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23
Period
19th century
23
Materials & Techniques
brown ink
23
etching (printing process)
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23
laid paper
23
mezzotint
23
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31
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44
Work Type
intaglio print
23
Genre
landscape
20
architectural subject
11
marine art
4
religious and mythological subject
2
cityscape
1
Subject Terms
bridge
3
channel (water body component)
3
landscape (representation)
3
marine art
3
river
3
abbey
2
death
2
mourning
2
plague
2
religious and mythological subject
2
stairs
2
Old Testament
1
branches
1
child
1
city
1
cityscape
1
family
1
foliage
1
hill
1
landscape
1
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Associated Places
France
6
Alps
3
Arve
3
Bonneville
3
Calais
3
Dover, Strait of
3
English Channel
3
Dunblane
2
Dunblane Cathedral
2
Scotland
2
United Kingdom
2
Africa
1
Egypt
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
23
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Materials & Techniques
etching (printing process)
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Date
1816
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Liber Studiorum
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1
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
2
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
6
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
8
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
11
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
14
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
17
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
22
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
23
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816