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Collection
Prints and Drawings
61
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
51
Cooke, William Bernard, 1778–1855
23
Dawe, Henry E., 1790–1848
6
Nuttall,, Fisher & Dixon, active 1818
6
Smirke, Robert, 1752–1845
5
Allen, James C., active 1821–1831
4
Smith, Anker., 1759–1819
4
Turner, Charles, 1774–1857
4
Lupton, Thomas Goff, 1791–1873
3
Hodgetts, Thomas, active 1801–1846
2
Say, William, 1768–1834
2
Unknown artist
2
Winkles, B., active 1830–1840
2
Bromley, William, 1769–1842
1
Byrne, John, 1786–1847
1
Davis, John Phillip, 1784–1862
1
Kennion, Charles John, 1789–1853
1
Kennion, Edward, 1743–1809
1
Rawle, Samuel, 1771–1860
1
Turner, Mary Dawson (née Palgrave) Mrs., 1774–1850
1
Date
1830
134
1793
108
1859
101
1834
96
1818
88
1999
80
1792
71
1814
68
1836
67
1630
65
1835
64
1816
[remove]
61
1808
59
1811
57
1800
55
1797
53
1819
53
1820
52
1827
52
1812
50
1850
48
1789
47
1807
43
1739
42
1826
42
1813
40
1821
39
1897
38
1803
37
1825
37
1822
36
1896
32
1824
31
1890
31
1745
30
1795
30
1832
30
1983
30
1802
29
1925
29
1773
28
1990
26
1779
24
1810
24
1864
24
1902
24
1916
23
1732
22
1765
22
1833
22
1855
22
1887
22
1907
22
1911
22
1791
21
1794
21
1839
21
1915
21
1927
21
1796
20
1799
20
1817
20
1823
20
1842
20
1863
20
1950
20
2012
20
1735
19
1772
19
1809
19
1829
19
1775
18
1776
18
1787
18
1913
18
1922
18
1923
18
1995
18
1715
17
1780
17
1782
17
1838
17
1857
17
1865
17
1893
17
1904
17
1912
17
1926
17
1741
16
1790
16
1828
16
1860
16
1877
16
1906
16
1751
15
1786
15
1788
15
1804
15
1891
15
1901
15
On-site Access
Accessible by appointment in the Study Room
61
Image Use
Free to Use
61
Image Available
Available
[remove]
61
Classification
Prints
61
Creator Gender
male
60
unknown
2
female
1
Collective Title
Liber Studiorum
23
Cooke's Views in Sussex
17
Cooke's Rivers of Devon
6
Illustrations from Camden's 'The imperial history of England'
6
Cooke's Picturesque Views of the Southern Coast of England
3
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Surtees' History of Durham
1
Period
19th century
61
Materials & Techniques
etching (printing process)
[remove]
61
laid paper
32
wove paper
29
brown ink
23
mezzotint
23
line engraving
22
engraving (printing process)
3
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
53
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
58
Work Type
intaglio print
61
Genre
landscape
49
architectural subject
15
historical subject
8
marine art
7
genre subject
4
animal art
3
religious and mythological subject
2
cityscape
1
literary theme
1
military art
1
portrait
1
Subject Terms
landscape (representation)
6
river
6
frame (furnishing)
5
historical subject
5
architectural subject
4
bridge
4
marine art
4
channel (water body component)
3
death
3
abbey
2
estate
2
landscape
2
mourning
2
park
2
people
2
plague
2
religious and mythological subject
2
stairs
2
George IV
1
Old Testament
1
more
Subject Terms
»
Associated Places
United Kingdom
8
England
6
France
6
Alps
4
Europe
4
Arve
3
Bonneville
3
Calais
3
Cornwall
3
Devon
3
Dover, Strait of
3
English Channel
3
Tamar
3
City of Westminster
2
Dunblane
2
Dunblane Cathedral
2
London
2
Mount Edgcumbe Country Park Estate
2
Palace of Westminster
2
Plymouth Sound
2
more
Associated Places
»
Associated People
Caratacus [Caractacus] (fl. AD 40–51), king in Britain
1
Claudius [Tiberius Claudius Nero Germanicus] (10 BC–AD 54), Roman emperor
1
Edward I (1239–1307), king of England and lord of Ireland, and duke of Aquitaine
1
Edward IV (1442–1483), king of England and lord of Ireland
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
54
Yale Center for British Art, Gift of James Wilson, YCBA Docent
6
Yale Center for British Art, Gift of James Langhorne
1
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Materials & Techniques
etching (printing process)
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1816
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1
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
2
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
6
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
8
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
11
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
14
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
17
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
22
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
23
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
24
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
25
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
26
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
27
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
28
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
29
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
30
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
31
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
32
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
33
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
34
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
35
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
36
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
37
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
38
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
39
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
40
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
41
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
42
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
43
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
44
Print made by B. Winkles, active 1830–1840
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
45
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
46
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
47
Print made by B. Winkles, active 1830–1840
Longitudinal Section of Westminster Hall
ca. 1821
48
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
49
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
50
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
51
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
52
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
53
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
54
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
55
Print made by Anker Smith, 1759–1819
Attempt to Assassinate Prince Edward in Palestine
1816
56
Print made by unknown artist
Caractacus before Claudius
1816
57
Print made by Anker Smith, 1759–1819
Lady Elizabeth Grey's Interview with Edward IV
1816
58
Print made by William Bromley, 1769–1842
Death of Henry IV
1816
59
Print made by Anker Smith, 1759–1819
Vortigern & Rowena
1816
60
Print made by Anker Smith, 1759–1819
Alfred in the Danish Camp
1816
61
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816