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Collection
Prints and Drawings
68
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
61
Cooke, George, 1781–1834
21
Cooke, William Bernard, 1778–1855
14
Miller, William, 1796–1882
8
Goodall, Edward, 1795–1870
7
Ackermann, Rudolph, 1764–1834
3
Allen, James C., active 1821–1831
3
Wallis, Robert, 1794–1878
3
Bluck, John, active 1791–1819
2
Hill, John, 1770–1850
2
Pugin, Augustus Charles, 1762–1832
2
Unknown artist
2
Atkinson, John Augustus, 1775–approximately 1833
1
Cadell, Thomas, 1773–1836
1
Cardon, Anthony, 1772–1813
1
Claussin, Ignace Joseph de Chevalier, 1766–1844
1
Colnaghi,, established 1760, active ca. 1785–1911
1
Hoare, Prince, 1755–1834
1
Horsburgh, John, 1791–1869
1
Pope, Alexander, 1763–1835
1
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Creator
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Date
1782
158
1830
134
1793
116
1808
109
1859
101
1834
96
1818
88
1792
75
1630
71
1814
[remove]
68
1836
68
1835
65
1816
64
1850
61
1811
60
1827
60
1800
56
1803
55
1820
54
1797
53
1819
51
1789
50
1812
50
1807
47
1813
44
1739
43
1826
42
1795
41
1825
41
1821
40
1802
39
1822
37
1745
32
1832
32
1776
31
1824
31
1732
28
1735
28
1773
28
1810
28
1864
28
1806
25
1809
25
1779
24
1799
24
1900
24
1791
23
1855
23
1765
22
1794
22
1796
22
1833
22
1839
22
1863
22
1902
22
1907
22
1725
21
1842
21
1801
20
1817
20
1823
20
1829
20
1896
20
1772
19
1775
19
1787
19
1788
19
1786
18
1790
18
1838
18
1857
18
1715
17
1780
17
1828
17
1860
17
1865
17
1877
17
1887
17
1913
17
1915
17
1740
16
1741
16
1751
16
1784
16
1804
16
1893
16
1904
16
1912
16
1747
15
1837
15
1841
15
1881
15
1891
15
1815
14
1852
14
1892
14
1897
14
1901
14
1918
14
1737
13
On-site Access
Accessible by appointment in the Study Room
68
Image Use
Free to Use
[remove]
68
Image Available
Available
67
Unavailable
1
Classification
Prints
68
Creator Gender
male
68
unknown
2
Collective Title
Cooke's Picturesque Views of the Southern Coast of England
57
A History of the University of Cambridge, Its Colleges, Halls and Public Buildings, 1815
2
Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession
2
Liber Studiorum
2
History of Cambridge
1
Selections of the Ancient Costume of Great Britain and Ireland
1
Period
19th century
68
Materials & Techniques
etching (printing process)
[remove]
68
wove paper
62
line engraving
35
engraving (printing process)
14
chine collé
6
laid paper
6
aquatint
4
hand coloring
3
graphite
2
steel engraving
2
stipple engraving
2
brown ink
1
drypoint
1
mezzotint
1
watercolor
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
13
to
42
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
13
to
54
Work Type
intaglio print
68
Genre
marine art
49
landscape
43
architectural subject
15
historical subject
7
cityscape
2
genre subject
2
portrait
2
Subject Terms
marine art
48
landscape (representation)
23
bay (body of water)
18
river
15
castle
12
landscape
10
channel (water body component)
7
cityscape
7
architectural subject
5
harbor
4
headland
4
costume
3
horses (animals)
3
labor
3
ocean
3
sea
3
trees
3
woman
3
architecture
2
boats
2
more
Subject Terms
»
Associated Places
England
55
Europe
51
United Kingdom
47
Devon
16
English Channel
15
Cornwall
14
Bristol Channel
9
Carrick Roads
7
Falmouth
7
Pendennis Castle
7
Dorset
6
Combe Martin
5
Combe Martin Bay
5
East Sussex
5
Dartmouth
4
Dartmouth Castle
4
Falmouth Bay
4
Kent
4
Pennance Point
4
River Dart
4
more
Associated Places
»
Associated People
Eleanor (c.1223–1291), queen of England, consort of Henry III
1
Henry III (1207–1272), king of England and lord of Ireland, and duke of Aquitaine
1
Northcote, James (1746–1831), artist and author
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
63
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Gift of the Rev. Peter Rodgers
1
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Materials & Techniques
etching (printing process)
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Date
1814
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1
Print made by Joseph Mallord William Turner, 1775–1851
Solitude
1814
2
Etched by Joseph Mallord William Turner, 1775–1851
Solitude
1814
3
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
4
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814-1826
5
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorsetshire
1814-1826
6
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814
7
Print made by George Cooke, 1781–1834
Corfe Castle, Dorsetshire
1814-1826
8
Print made by William Bernard Cooke, 1778–1855
Lyme Regis, Dorsetshire
1814
9
Print made by George Cooke, 1781–1834
Corfe Castle, Dorsetshire
1814-1826
10
Print made by George Cooke, 1781–1834
Corfe Castle, Dorsetshire
1814-1826
11
Print made by William Bernard Cooke, 1778–1855
Lulworth Cove, Dorset
1814 to 1826
12
Print made by William Bernard Cooke, 1778–1855
Lyme Regis, Dorsetshire
1814
13
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814
14
Print made by William Bernard Cooke, 1778–1855
Lyme Regis, Dorsetshire
1814
15
Print made by George Cooke, 1781–1834
Teignmouth, Devon
1814 to 1826
16
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
17
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
18
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
19
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
20
Print made by George Cooke, 1781–1834
Watchet, Somersetshire
1814-1826
21
Print made by George Cooke, 1781–1834
Lulworth Castle, Dorsetshire
1814 to 1826
22
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1814 to 1826
23
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1814 to 1826
24
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
25
Print made by Robert Wallis, 1794–1878
Ramsgate, Kent
1814 to 1826
26
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
27
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1814-1826
28
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1814 to 1826
29
Print made by William Miller, 1796–1882
Portsmouth, Hampshire
1814 to 1826
30
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814-1826
31
Print made by Robert Wallis, 1794–1878
Folkstone, Kent
1814 to 1826
32
Print made by John Augustus Atkinson, 1775–1831
Costume of the Reign of King Henry III, 1250
1814
33
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
34
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
35
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
36
Print made by John Horsburgh, 1791–1869
Whitstable, Kent
1814 to 1826
37
Print made by George Cooke, 1781–1834
Poole, Dorsetshire
1814
38
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
39
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
40
Print made by George Cooke, 1781–1834
Land's End, Cornwall
1814-1826
41
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814 to 1826
42
Print made by William Bernard Cooke, 1778–1855
Dartmouth, Devon
1814
43
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814 to 1826
44
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
45
Print made by George Cooke, 1781–1834
Pendennis Castle, and Entrance of Falmouth Harbour
1814 to 1826
46
Print made by William Bernard Cooke, 1778–1855
Bow and Arrow Castle, Isle of Portland
1814-1826
47
Print made by William Bernard Cooke, 1778–1855
Bow and Arrow Castle, Isle of Portland
1814-1826
48
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
49
Print made by Edward Goodall, 1795–1870
Rye, Sussex
1814 to 1826
50
Print made by William Miller, 1796–1882
Clovelly Bay and Lundy Island
1814 to 1826
51
Print made by Robert Wallis, 1794–1878
Ramsgate, Kent
1814 to 1826
52
Print made by James C. Allen, active 1821–1831
St. Mawes, Cornwall
1814 to 1826
53
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
54
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
55
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
56
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
57
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814 to 1826
58
Print made by William Miller, 1796–1882
Coombe-Martin, Devonshire
1814 to 1826
59
Print made by George Cooke, 1781–1834
Brighton
1814 to 1826
60
Print made by Edward Goodall, 1795–1870
Mount Edgecomb, Devonshire
1814 to 1826
61
Print made by Anthony Cardon, 1772–1813
Henry Tresham, Esq. R. A
1814
62
Print made by John Bluck, active 1791–1831
Clare Hall
1814
63
Print made by John Bluck, active 1791–1831
Clare Hall
1814
64
John Hill, 1770–1850
St. Sepulchres, The Round Church
1814
65
Print made by unknown artist
Flower Garden Porch at Farnley
1814
66
Print made by Chevalier Ignace Joseph de Claussin, 1766–1844
James Northcote, R.A
1814
67
Print made by unknown artist
Bay Windows in the Flower Garden at Farnley
1814
68
Print made by George Moutard Woodward, ca. 1760–1809
Sketches of Fairy-Land or a Comparison between England & Lilliput
ca. 1819