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Collection
Prints and Drawings
21
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
13
COPE, Charles, 1782–1827
4
Havell, Daniel, 1785–1826
4
Havell, Robert, 1769–1832
4
Dawe, Henry E., 1790–1848
3
Cooke, William Bernard, 1778–1855
2
Dawson, Robert Kearsley, 1798–1861
2
Turner, Charles, 1774–1857
2
Allason, Thomas, 1790–1852
1
Coney, John, 1786–1833
1
Cooke, George, 1781–1834
1
Crome, John, 1768–1821
1
Night, Henry Gally, active ca. 1810
1
Unknown artist
1
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1834
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5
On-site Access
Accessible by appointment in the Study Room
21
Image Use
Free to Use
21
Image Available
Available
21
Classification
Prints
21
Creator Gender
male
21
unknown
1
Collective Title
Liber Studiorum
9
Cooke's Picturesque Views of the Southern Coast of England
2
Picturesque Views of the Antiquities of Pola in Istria
1
Period
19th century
21
Materials & Techniques
etching (printing process)
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21
wove paper
19
brown ink
9
aquatint
4
colored ink
4
mezzotint
4
line engraving
3
chine collé
2
hand coloring
2
laid paper
2
graphite
1
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38
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45
Work Type
intaglio print
21
Genre
architectural subject
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21
landscape
11
genre subject
8
marine art
2
still life
2
Subject Terms
architectural subject
10
country house
4
field
4
garden
4
house
4
manor house
4
park (grounds)
4
tower (building division)
4
trees
4
chimneys
3
genre subject
3
labor
3
pasture
3
river
3
village
3
bay (body of water)
2
boundaries
2
cartographic material
2
cartography
2
castle
2
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Subject Terms
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Associated Places
England
10
United Kingdom
8
Europe
7
Crofton
4
Wakefield
4
Yorkshire
4
Cornwall
2
English Channel
2
Mount's Bay
2
Saint Michael's Mount
2
Bewdley
1
City of Westminster
1
Hereford and Worcester
1
London
1
Norfolk
1
Norwich
1
Palace of Westminster
1
Severn
1
Westminster Abbey
1
Worcestershire
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
21
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Materials & Techniques
etching (printing process)
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Date
1813
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architectural subject
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1
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
1813 to 1823
2
Print made by Joseph Mallord William Turner, 1775–1851
The Temple of Jupiter in the Island of Aegina
between 1813 and 1823
3
Print made by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
4
Print made by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1813 to 1823
5
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
6
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
7
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
8
Attributed to Joseph Mallord William Turner, 1775–1851
Via Mala
between 1813 and 1823
9
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
10
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
11
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
12
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
13
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
14
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
ca. 1818
15
Print made by Robert Kearsley Dawson, 1798–1861
Map of Worcestershire Showing Western and Eastern Divisions
undated
16
Print made by John Crome, 1768–1821
Front of the New Mills
1813
17
Print made by Robert Kearsley Dawson, 1798–1861
Map of Bewdley from the Ordnance Survey
undated
18
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
19
Robert Havell, 1769–1832
Crofton
1813
20
Robert Havell, 1769–1832
Crofton
1813
21
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813