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Collection
Prints and Drawings
61
Creator
Girtin, Thomas, 1775–1802
29
Hayley, William, 1745–1820
23
Lewis, Frederick Christian the Elder, 1779–1856
16
Vernor, & Hood, active 1795–1807
14
Blake, William, 1757–1827
9
Greig, John, active 1803–1853
9
Storer, James Sargant, 1771–1853
9
Cadell, Thomas, 1773–1836
6
Flaxman, Mary A., 1786–1833
6
Pickett, W., active 1792–1820
5
Johnson, Joseph, 1738–1809
4
Gillray, James, 1756–1815
3
Girtin, James, ca. 1780–after 1820
3
Harraden, James, active 1801–1814
3
Harraden, Richard Banks, 1778–1862
3
Bartolozzi, Francesco, 1727–1815
2
Humphrey, Hannah, ca. 1745–1818
2
Stadler, Joseph Constantine, active 1780–1812
2
Boydell, John, 1720–1804
1
Cowper, William, 1731–1800
1
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Date
1782
158
1830
134
1793
116
1808
110
1859
101
1834
96
1818
88
1795
76
1792
75
1630
71
1836
71
1814
68
1835
65
1816
64
1850
63
1803
[remove]
61
1811
60
1827
60
1800
57
1820
54
1797
53
1819
51
1789
50
1807
50
1812
50
1794
45
1813
44
1735
43
1739
43
1826
42
1825
41
1802
40
1821
40
1822
37
1824
33
1745
32
1832
32
1776
31
1810
29
1773
28
1799
28
1864
28
1732
27
1783
27
1809
27
1765
25
1806
25
1734
24
1779
24
1791
24
1855
24
1900
24
1730
22
1796
22
1833
22
1839
22
1863
22
1902
22
1907
22
1725
21
1736
21
1842
21
1727
20
1801
20
1817
20
1823
20
1829
20
1896
20
1772
19
1775
19
1787
19
1788
19
1790
19
1780
18
1786
18
1838
18
1857
18
1715
17
1828
17
1860
17
1865
17
1877
17
1887
17
1913
17
1915
17
1740
16
1741
16
1751
16
1762
16
1768
16
1769
16
1784
16
1804
16
1893
16
1901
16
1904
16
1912
16
1747
15
1763
15
1837
15
On-site Access
Accessible in the Study Room
61
Image Use
Free to Use
[remove]
61
Image Available
Available
37
Unavailable
24
Classification
Prints
61
Creator Gender
male
61
female
3
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
29
The Life, and Posthumous Writings, of William Cowper
17
The Triumphs of Temper
6
Period
19th century
61
Materials & Techniques
etching (printing process)
[remove]
61
wove paper
30
aquatint
29
line engraving
23
stipple engraving
3
watercolor
3
hand coloring
2
Height [cm]
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56
Unknown
1
Width [cm]
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Current results range from
7
to
140
Unknown
2
Work Type
intaglio print
61
frontispiece
1
Genre
cityscape
26
literary theme
25
architectural subject
22
landscape
8
portrait
3
Subject Terms
river
18
architectural subject
4
cityscape
4
bridge (built work)
3
breeches
2
buildings
2
chain
2
hat
2
literary theme
2
play
2
stockings
2
windows
2
As You Like It, play by William Shakespeare
1
Twelfth Night; or, What You Will, play by William Shakespeare
1
arcade
1
arches
1
balcony
1
bed
1
blocks
1
boats
1
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Subject Terms
»
Associated Places
Europe
28
France
28
Île-de-France
28
Seine
21
Paris
15
Pont Neuf
7
Val-de-Marne
7
Cathédrale Notre-Dame de Paris
6
Charenton-le-Pont
5
Pont de Charenton-le-Pont
5
Acqueduct of Louveciennes
4
Louveciennes
4
Marly-le-Roi
4
Pont de la Concorde
4
Saint-Germain-en-Laye
4
Yvelines
4
Bassin de l'Arsenal
3
Bourse de Paris
3
Marne
3
Panthéon
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Ludwig, Furst von Starhemberg (1762–1833), Austrian diplomat
1
Napoleon I (1769–1821), Emperor of the French
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
60
Yale Center for British Art, Paul Mellon Fund
1
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Materials & Techniques
etching (printing process)
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Date
1803
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1
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
2
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
3
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
4
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
5
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
6
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
7
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
8
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
9
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
10
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
11
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
12
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
13
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
14
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
15
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
16
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
17
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
18
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
19
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
20
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
21
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
22
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
23
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
24
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
25
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
26
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
27
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
28
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
29
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
30
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
31
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
32
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
33
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
34
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
35
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
36
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
37
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
38
Print made by William Blake, 1757–1827
Canto IV. Verse 328
1803
39
Print made by William Blake, 1757–1827
Canto I. Verse 29
1803
40
Print made by William Blake, 1757–1827
Canto II. Verse 471
1803
41
Print made by William Blake, 1757–1827
Canto V. Verse 43
1803
42
Print made by William Blake, 1757–1827
Canto VI. Verse 294
1803
43
Print made by William Blake, 1757–1827
Canto III. Verse 201
1803
44
Print made by William Blake, 1757–1827
William Cowper
1803-1804
45
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
46
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
47
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
48
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
49
Text by William Hayley, 1745–1820
The Life, and Posthumous Writings, of William Cowper (volume 1)
1803-1804
50
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
51
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
52
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
53
Print made by John Greig, active 1803–1853
Weston House
1803-1804
54
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
55
Print made by John Greig, active 1803–1853
The Elms
1803-1804
56
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
57
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
58
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
59
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
60
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
61
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804