A Front View of the East India House in Leadenhall Street
1800
13
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
14
Print made by Charles Heath, 1785–1848
Thomas Gray
undated
15
Print made by James Heath, 1757–1834
General Washington
1800
16
Print made by Charles Heath, 1785–1848
Benevento, Kingdom of Naples
undated
17
Print made by unknown artist
A Front View of the East India House in Leadenhall Street
1800
18
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
19
Samuel Ireland, 1744–1800
Stone Buildings, Lincoln's Inn
1800
20
Samuel Ireland, 1744–1800
Southwest View of Middle Temple
1800
21
Samuel Ireland, 1744–1800
Middle Temple Gate
1800
22
Samuel Ireland, 1744–1800
Inner Temple
1800
23
Samuel Ireland, 1744–1800
Sergeant's Inn
1800
24
Samuel Ireland, 1744–1800
Lion's Inn
1800
25
Samuel Ireland, 1744–1800
Guildhall
1800
26
Samuel Ireland, 1744–1800
Gray's Inn
1800
27
Samuel Ireland, 1744–1800
Staple Inn
1800
28
Samuel Ireland, 1744–1800
Barnard's Inn
1800
29
Samuel Ireland, 1744–1800
Clement's Inn
1800
30
Samuel Ireland, 1744–1800
Rolls Chapel
1800
31
Samuel Ireland, 1744–1800
Temple Church
1800
32
Samuel Ireland, 1744–1800
North Front of Temple Hall
1800
33
Samuel Ireland, 1744–1800
Lincoln's Inn Hall and Chapel
1800
34
Samuel Ireland, 1744–1800
Leather Fullers Hall
1800
35
Samuel Ireland, 1744–1800
Furnival's Inn
1800
36
Samuel Ireland, 1744–1800
New Inn
1800
37
Samuel Ireland, 1744–1800
Clifford's Inn
1800
38
Samuel Ireland, 1744–1800
Garden Front of Furnival's Inn
1800
39
Samuel Ireland, 1744–1800
Westminster Hall
1800
40
Samuel Ireland, 1744–1800
Lincoln's Inn Gate
1800
41
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
42
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
43
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
44
Print made by Thomas Cook, 1744–1818
The Five Orders of Periwigs; John Wilkes Esq
1800
45
Charles Heath, 1785–1848
Regent's Canal Basin, City Road
undated
46
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
47
Print made by Henry Hoppner Meyer, ca. 1782–1847
Henry Tilson, Painter
between 1800 and 1840
48
Print made by Frederick Atkinson, active 1800
Hugh Robinson
1800
49
Print made by Charles Williams, active 1796–1830
A Scene from the Beggars Opera the Principal Characters by his Majesty's Servants
ca. 1805
50
Print made by unknown artist
Slender Billy & hopping Harry trying to bring a wild Irish bull to Westminster to be baited by English bull dogs
1800
51
unknown artist
View of the Robert Burns Monument, Ayr
undated
52
Henry Thomas Alken, 1785–1851
The Quorn Hunt: Full Cry
undated
53
Henry Thomas Alken, 1785–1851
The Quorn Hunt: 'Snob is Beat'
undated
54
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Death
undated
55
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Whissendine Appears in View
undated
56
Print made by Thomas Cook, 1744–1818
Time Smoking a Picture
between 1800 and 1809
57
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
58
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
59
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Meet at Ashby Pastures
undated
60
Henry Thomas Alken, 1785–1851
The Quorn Hunt: Drawing Cover
undated
61
Henry Thomas Alken, 1785–1851
The Quorn Hunt: Tally-Ho and Away
undated
62
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Pace Begins to Tell
undated
63
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners