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Collection
Prints and Drawings
72
Creator
Hogarth, William, 1697–1764
38
Ireland, A. M., active before 1801
20
Ireland, Samuel, died 1800
18
Blake, William, 1757–1827
12
Cumberland, George, 1754–1848
12
Wheatley, Francis, 1747–1801
7
Schiavonetti, Luigi, 1765–1810
4
Bartolozzi, Francesco, 1727–1815
3
Byrne, Letitia, 1779–1849
3
Cardon, Anthony, 1772–1813
3
Colnaghi,, established 1760, active ca. 1785–1911
3
Porter, William Warren Rev., 1776–1804
3
Middiman, Samuel, ca. 1750–1831
2
Wright, Joseph, 1734–1797
2
Clamp, R., fl.1789–1798
1
Condé, John, 1765–1794
1
Condé, Peter, 1767/8–1840
1
Copley, John Singleton, 1738–1815
1
Cosway, Richard, 1742–1821
1
Dighton, Robert, 1752–1814
1
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Date
1782
158
1830
134
1808
121
1793
116
1859
101
1834
97
1818
88
1999
80
1792
76
1795
76
1794
[remove]
72
1630
71
1836
71
1799
70
1814
70
1807
69
1835
65
1816
64
1850
64
1800
63
1803
62
1811
60
1827
60
1833
60
1820
54
1797
53
1916
53
1819
52
1789
50
1812
50
1925
48
1896
45
1813
44
1739
43
1897
43
1826
42
1825
41
1802
40
1821
40
1822
37
1809
36
1923
36
1915
35
1887
34
1927
34
1824
33
1832
32
1913
32
1745
31
1776
31
1890
31
1911
31
1907
30
1983
30
1735
29
1904
29
1926
29
1773
28
1791
28
1810
28
1864
28
1900
28
1732
27
1783
27
1806
27
1902
27
1920
27
1912
26
1919
26
1990
26
1928
25
1765
24
1779
24
1855
24
1891
24
1922
23
1929
23
1796
22
1839
22
1863
22
1893
22
1906
22
1930
22
1725
21
1768
21
1801
21
1910
21
1775
20
1817
20
1823
20
1829
20
1842
20
1917
20
1921
20
2012
20
1772
19
1787
19
1788
19
1790
19
1857
19
On-site Access
Accessible in the Study Room
72
Image Use
Free to Use
72
Image Available
Available
59
Unavailable
13
Classification
Prints
[remove]
72
Creator Gender
male
71
female
3
unknown
1
Collective Title
Thoughts on Outline
12
Cries of London
5
The Cries of London
2
Macklin's British Poets
1
Period
18th century
67
18th century-19th century
4
19th century
1
Materials & Techniques
etching (printing process)
[remove]
72
wove paper
58
aquatint
14
stipple engraving
11
line engraving
8
hand coloring
6
color printing
5
watercolor
5
laid paper
4
proofs: prints
2
colored ink
1
engraving (printing process)
1
Height [cm]
Height [cm] range begin
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0
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54
Width [cm]
Width [cm] range begin
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78
Work Type
intaglio print
72
religious and mythological subject
1
ticket
1
Genre
literary theme
14
genre subject
10
religious and mythological subject
10
portrait
6
landscape
5
historical subject
2
animal art
1
architectural subject
1
military art
1
Subject Terms
man
4
portrait
4
genre subject
3
landscape
3
wig
3
coat
2
collar
2
costume
2
curls
2
houses
2
nobility
2
oval
2
posing
2
river
2
star
2
trees
2
The Most Noble Order of the Garter
1
Wove
1
actor
1
admiral
1
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Subject Terms
»
Associated Places
England
4
United Kingdom
4
Greater London
3
City of Westminster
1
Europe
1
Hanover Square
1
Hanover Square Rooms
1
Hyde Park
1
Kenilworth Castle
1
London
1
Mayfair
1
Oxford
1
Richmond Hill
1
Richmond upon Thames (borough)
1
Scotland
1
Serpentine River
1
Thames
1
University of Oxford
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
3
Cupid
1
George IV (1762–1830), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Hawkins, Sir John (1719–1789), music scholar and lawyer
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Psyche
1
Salomon, Johann Peter (bap. 1745, d. 1815), violinist and impresario
1
Sir John Falstaff
1
Wishart, Sir James (c.1659–1723), naval officer
1
Exhibition History
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Prodigal Son Narratives 1480 - 1980 (Clark Art Institute, 1996-03-02 - 1996-04-14)
1
Prodigal Son Narratives 1480 - 1980 (Davison Art Center, 1995-09-01 - 1995-10-28)
1
Prodigal Son Narratives 1480 - 1980 (Yale University Art Gallery, 1995-04-04 - 1995-07-16)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
1
Credit Line
Yale Center for British Art; Yale University Art Gallery Collection
38
Yale Center for British Art, Paul Mellon Collection
25
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914
3
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
1
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Materials & Techniques
etching (printing process)
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Date
1794
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1
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
2
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
3
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
4
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
5
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
6
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
7
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
8
after William Hogarth, 1697–1764
Sketches from Pen and Ink Drawings, Character and Caricatura
1794
9
Print made by John Condé, 1765–1794
His Royal Highness George Prince of Wales
1794
10
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
11
Print made by R. Clamp, fl.1789–1798
Sir John Hawkins
1794
12
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
13
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
14
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
15
Print made by George Quinton, born 1779
Magdalen Hospital
undated
16
Samuel Middiman, ca. 1750–1831
Winter's Tale, Act III, Scene III
1794
17
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
18
Samuel Middiman, ca. 1750–1831
Shakespeare's Winter Tale Act III Scene III
1794
19
Abraham Raimbach, 1784–1868
Key To The Figures In "The Death Of Chatham"
1794
20
Print made by Francesco Bartolozzi, 1728–1815
Sir James Wishart
between 1794 and 1798
21
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salomon
1794
22
Print made by unknown artist
Royal Humane Society's Receiving House in Hyde Park
undated
23
Print made by Letitia Byrne, 1779–1849
Farm Scene
undated
24
Print made by Samuel Ireland, 1744–1800
A Third Modern Military Punishment
1794
25
Print made by Samuel Ireland, 1744–1800
A Third Modern Military Punishment
1794
26
Print made by Samuel Ireland, 1744–1800
A Third Modern Military Punishment
1794
27
Print made by Samuel Ireland, 1744–1800
A Third Modern Military Punishment
1794
28
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
29
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
30
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
31
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
32
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
33
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
34
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
35
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
36
Print made by A. M. Ireland, active before 1801
Arms of the Dutchess of Kendal
1794
37
Print made by Samuel Ireland, 1744–1800
A Third Modern Military Punishment
1794
38
Print made by Samuel Ireland, 1744–1800
A Third Modern Military Punishment
1794
39
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
40
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
41
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
42
Print made by Samuel Ireland, 1744–1800
False Perspective Exemplified
1794
43
Print made by Samuel Ireland, 1744–1800
A Third Modern Military Punishment
1794
44
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
45
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
46
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
47
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
48
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
49
Print made by Samuel Ireland, 1744–1800
False Perspective Exemplified
1794
50
Print made by Samuel Ireland, 1744–1800
False Perspective Exemplified
1794
51
Print made by A. M. Ireland, active before 1801
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
1794
52
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
53
Print made by A. M. Ireland, active before 1801
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
1794
54
Print made by Letitia Byrne, 1779–1849
Oxford
undated
55
Print made by Letitia Byrne, 1779–1849
Kenilworth Castle
1794-1837
56
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794
57
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
58
Anthony Cardon, 1772–1813
Do you want any Matches?
1794
59
Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China!
1794
60
Print made by William Blake, 1757–1827
Psyche Disobeys
1794
61
Print made by William Blake, 1757–1827
The Conjugal Union of Cupid
1794
62
Print made by William Blake, 1757–1827
Cupid & Psyche
1794
63
Print made by William Blake, 1757–1827
Iron Age
1794
64
Print made by William Blake, 1757–1827
Anacreon Ode LII
1794
65
Print made by William Blake, 1757–1827
Venus Councels Cupid
1794
66
Print made by William Blake, 1757–1827
Psyche Repents
1794
67
Print made by William Blake, 1757–1827
Psyche Disobeys
1794
68
Print made by William Blake, 1757–1827
Psyche Repents
1794
69
Print made by William Blake, 1757–1827
Venus Counsels Cupid
1794
70
Print made by William Blake, 1757–1827
The Conjugal Union of Cupid
1794
71
Print made by William Blake, 1757–1827
Cupid & Psyche
1794
72
Print made by Luigi Schiavonetti, 1765–1810
Sweet China Oranges, Sweet China
1794