Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Height [cm]: 0

Print made by William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

Print made by William Hogarth, 1697–1764

Marriage à la Mode, Plate 6

1745

Print made by William Hogarth, 1697–1764

Plate 1, The Fellow 'Prentices at their Looms

1747

Print made by William Hogarth, 1697–1764

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

1747

Print made by William Hogarth, 1697–1764

Simon Lord Lovat

1746

Print made by William Hogarth, 1697–1764

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

1747

Print made by William Hogarth, 1697–1764

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

1747

Print made by William Hogarth, 1697–1764

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

1747

Print made by William Hogarth, 1697–1764

Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

1747

Print made by William Hogarth, 1697–1764

Columbus Breaking the Egg

1752

Print made by William Hogarth, 1697–1764

The Five Orders of Periwigs

1761

Print made by William Hogarth, 1697–1764

Plate 12, The Industrious 'Prentice Lord Mayor of London

1747

Print made by William Hogarth, 1697–1764

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

1747

Print made by William Hogarth, 1697–1764

Plate 11, The Idle 'Prentice Executed at Tyburn

1747

Print made by William Hogarth, 1697–1764

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

1747

Print made by William Hogarth, 1697–1764

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

1747

Print made by William Hogarth, 1697–1764

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

1747

Etched by Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1809

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Pantheum Romanum nunc Mariae Cognomento

1549

Paul Sandby, 1731–1809

The Horse Race at Rome During the Carnival

ca. 1781

Print made by Robert Walker Macbeth, 1848–1910

The Ferry Inn

1881

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Print made by Edward Goodall, 1795–1870

Florence

1830

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1830

James Gillray, 1756–1815

The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)

1796

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Published by Giovanni Giacomo de Rossi, 1627–1691

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

between 1546 and 1590

Print made by Charles William Sherborn, 1831–1912

Westminster Abbey

1877

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

between 1546 and 1590

Gerard de Jode Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

between 1546 and 1590

Print made by Francesco Bartolozzi, 1728–1815

View of the Inside of the Vestibulum

1764

Print made by Francesco Bartolozzi, 1728–1815

View of the Temple of Aesculapius

1764

Print made by Francesco Bartolozzi, 1728–1815

View of the Porta Ferrea

1764

Print made by Francesco Bartolozzi, 1728–1815

Another View of the Temple of Aesculapius

1764

Print made by Charles Mosley, c.1720–c.1770

O the Roast Beef of Old England, &c

1749

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 5

1745

Print made by Bernard Baron, 1696–1762

Marriage à la Mode, Plate 3

1745

Print made by Simon François Ravenet, 1706–1774

Marriage à la Mode, Plate 4

1745

Print made by William Heath, 1795–1840

A Mistake

1829

Gerard de Jode Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Print made by Gerard de Jode, born 1509 or 1517, died 1591

Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

between 1546 and 1590

Gerard de Jode De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

Print made by Gerard de Jode, born 1509 or 1517, died 1591

De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

between 1546 and 1590

Print made by Gerard Jean Baptiste Scotin, 1671–1716

Marriage à la Mode, Plate 1

1745

Print made by B. Winkles, active 1830–1840

St. Ouens Abbey, Rouen

1850

Print made by William Hogarth, 1697–1764

A Rake's Progress, Plate 8

1735

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 1

1732

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 2

1732

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 3

1732

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 4

1732

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 5

1732

Print made by William Hogarth, 1697–1764

A Harlot's Progress, Plate 6

1732

Print made by William Hogarth, 1697–1764

Emerald Vessel

1723

Print made by William Hogarth, 1697–1764

The Stage-Coach, or the Country Inn Yard

1747

Print made by William Hogarth, 1697–1764

A Midnight Modern Conversation

1733

Print made by William Hogarth, 1697–1764

Before

1736

Print made by William Hogarth, 1697–1764

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764

Frontispiece: A Seated Roman General on a Camp Stool

1725

Print made by William Hogarth, 1697–1764

Decimation

1725

Print made by William Hogarth, 1697–1764

Dismemberment, etc

1725

Print made by William Hogarth, 1697–1764

Paul Before Felix

1752

Print made by William Hogarth, 1697–1764

Four Heads from the Raphael Cartoons at Hampton Court

1781

Print made by William Hogarth, 1697–1764

Paul Before Felix Burlesqued

1751

Print made by William Hogarth, 1697–1764

After

1736

Print made by William Hogarth, 1697–1764

Fustium Admonitio

1725

Print made by William Hogarth, 1697–1764

Shameful Discharge

1725

Print made by William Hogarth, 1697–1764

Degrading Punishments

1725

Print made by William Hogarth, 1697–1764

Taking Away the Military Belt or Girdle

1725

Print made by William Hogarth, 1697–1764

Fustigatio

1725

Print made by William Hogarth, 1697–1764

Beheading

1725

Print made by William Hogarth, 1697–1764

Freemen Degraded and Sold into Slavery

1725

Print made by William Hogarth, 1697–1764

Crucifixion, etc

1725

Print made by William Hogarth, 1697–1764

Banishment

1725

Print made by William Hogarth, 1697–1764

Breaking the Legs

1725

Print made by William Hogarth, 1697–1764

Issued Barley Instead of Wheat

1725

Print made by William Hogarth, 1697–1764

Issued Barley Instead of Wheat

1725

Print made by William Hogarth, 1697–1764

Hanging by the Thumbs

1725

Print made by William Hogarth, 1697–1764

Cutting off the Nose

1725

Print made by John Dean, 1754–1798

The Schoolboy

1777

James Gillray, 1756–1815

True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard

1809

Print made by Frederick Landseer Maur Griggs, 1876–1938

Group of 79 Etchings in a Custom-made Box

Print made by Richard Cockle Lucas, 1800–1883

Etchings by R. C. Lucas

between 1837 and 1874

Print made by unknown artist

Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

1814

Print made by Frederick Landseer Maur Griggs, 1876–1938

Maur's Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938

Maur's Farm

Print made by Frederick Landseer Maur Griggs, 1876–1938

Maur's Farm

Print made by Frederick Landseer Maur Griggs, 1876–1938

Priory Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938

Priory Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938

Minsden Episcopi

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938

Minsden Episcopi

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938

Ashwell

1914

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Ford

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

Barnack

1914

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Ford

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Cresset

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Cresset

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Quay

1916

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Palace

1916

Print made by Frederick Landseer Maur Griggs, 1876–1938

Stoke Poges

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938

Epiphany

1919

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Materials & Techniques etching (printing process)

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On-site Access Accessible by appointment in the Study Room

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