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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Width [cm] 17

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Sir Frank Short Cornfield Ivinghoe
Print made by Sir Frank Short, 1857–1945
Cornfield Ivinghoe
1888
Sir Frank Short Parkgate
Print made by Sir Frank Short, 1857–1945
Parkgate
1890
John Bell And This Was Caesar
Print made by John Bell, 1811–1895
And This Was Caesar
between 1838 and 1850
John Bell The Web
Print made by John Bell, 1811–1895
The Web
undated
Francesco Bartolozzi The Right Honorable Lady Jane Dundas
Print made by Francesco Bartolozzi, 1728–1815
The Right Honorable Lady Jane Dundas
ca. 1802
William Faithorne the Younger What's Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death's at Hand.
Print made by William Faithorne the Younger, ca. 1669–1703
What's Humane Life, Where Nothing Long Can Stand? Time Flyes, Our Glory Fades, and Death's at Hand
undated
George Cruikshank Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
George Cruikshank London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
James Barry St. Sebastian
Print made by James Barry, 1741–1806
St. Sebastian
undated
Stephen Buckley Untitled
Print made by Stephen Buckley, born 1944
Untitled
1979
Joseph Hecht Deer in the Forest
Joseph Hecht, 1891–1951
Deer in the Forest
ca. 1926