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Materials & Techniques etching (printing process)

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms trees

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851
Jason
1807
Joseph Mallord William Turner The Bridge in Middle Distance
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Juvenile Tricks
Etched by Joseph Mallord William Turner, 1775–1851
Juvenile Tricks
1811
Joseph Mallord William Turner The Castle above the Meadows
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner The Hindoo Worshipper
Etched by Joseph Mallord William Turner, 1775–1851
The Hindoo Worshipper
1811
Joseph Mallord William Turner Procris and Cephalus
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
Louisa Augusta Greville Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
Print made by Louisa Augusta Greville, 1743–active 1762
Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground
1760
Louisa Augusta Greville Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
Louisa Augusta Greville, 1743–active 1762
Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground
1759
Louisa Augusta Greville Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Louisa Augusta Greville, 1743–active 1762
Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
1770
Henry Bonnart Mater Purissima
Print made by Henry Bonnart, 1642–1711
Mater Purissima
undated
George Bickham the Elder Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
George Bickham the Elder Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
Print made by George Bickham the Elder, 1683/4–1758
Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
unknown artist Royal Humane Society's Receiving House in Hyde Park
Print made by unknown artist
Royal Humane Society's Receiving House in Hyde Park
undated
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
Letitia Byrne Bolton Abbey, Yorkshire
Print made by Letitia Byrne, 1779–1849
Bolton Abbey, Yorkshire
1809
Thomas Higham Benacre Hall, Suffolk
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
S. T. Davies Lincoln from the River Witham
Print made by S. T. Davies, active ca. 1835
Lincoln from the River Witham
undated
James Tibbits Willmore Mercury and Argus
Print made by James Tibbits Willmore, 1800–1863
Mercury and Argus
1841
John Cousen Mercury and Herse
Print made by John Cousen, 1804–1880
Mercury and Herse
1842
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
Agostino Brunias The West India Washer-Women
Print made by Agostino Brunias, 1728–1796
The West India Washer-Women
1779
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Miles Edmund Cotman Study of Trees on the Banks of the Yare
Print made by Miles Edmund Cotman, 1810–1858
Study of Trees on the Banks of the Yare
1846
Thomas Creswick Moonlight
Print made by Thomas Creswick, 1811–1869
Moonlight
1839
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821
Back of the New Mills, Norwich
1812
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
Thomas Gainsborough The Gipsies
Etched by Thomas Gainsborough, 1727–1788
The Gipsies
1764
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910
Egham
1859
Thomas Creswick The Blacksmith's Shop
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
Thomas Creswick The Terrace
Print made by Thomas Creswick, 1811–1869
The Terrace
ca. 1844
Charles Grignion A View from Richmond Hill Up the River
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)
Sir Francis Seymour Haden, 1818–1910
Kensington Gardens, no. 1 (small plate)
1859
Charles Grignion A View of the Bridge at Walton-on-Thames in Surrey
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
James Bretherton Inimitable Mr. James Moss
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
Henry William Bunbury Overthrow of Dr. Slop
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
John Crome Landscape with Oak Trees
Print made by John Crome, 1768–1821
Landscape with Oak Trees
ca. 1812
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
David Lucas Salisbury Cathedral
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797