Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: collar

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by James Bretherton, ca. 1730–1806

The St. James's Macaroni

1772

Print made by Samuel Freeman, 1773–1857

Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

1810

Print made by John Paine, 1623–1700

Ferdinandus Austriacus

ca. 1635

Print made by A. Birrell, ca.1770–ca. 1820

John Home, Esq

1799

Print made by Thomas Chambars, ca. 1724–1789

Robert van Voerst

1771

Print made by James Charles Armytage, 1802–1897

Sir David Wilkie

after 1829

Print made by Charles Heath, 1785–1848

Thomas Gray

undated

Print made by Benedictus Antonio van Assen, active 1788–died 1817

John Hamilton Mortimer

1810

Print made by Thomas Gaugain, 1748–1812

James Beattie, LL.D

1805

Print made by Francesco de Grado, active 1693

Antonio Vandyck

ca. 1693

Print made by John Corner, 1788–1825

Sir Anthony van Dyck

1825

Print made by Thomas Chambars, ca. 1724–1789

Henry Cornelius Vroom

undated

Print made by Thomas Chambars, ca. 1724–1789

Robert Walker

undated

Print made by William Thomas Fry, 1789–1843

Benjamin West, Esq. President of the Royal Academy

1820

Print made by James Bretherton, ca. 1730–1806

Frederick Zincke and Liotard

1762

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Print made by Thomas Chambars, ca. 1724–1789

Sir Godfrey Kneller and John Zackary Kneller

undated

Print made by Thomas Chambars, ca. 1724–1789

Nicholas Laniere

undated

Print made by Thomas Chambars, ca. 1724–1789

Claude la Fevre and Mr. John Hayls

undated

Print made by Charles West Cope, 1811–1890

W. Mulready RA

1863

Print made by Philip Audinet, 1766–1837

James Northcote

1831

Print made by Thomas Chambars, ca. 1724–1789

Peter Oliver

undated

Print made by Chevalier Ignace Joseph de Claussin, 1766–1844

James Northcote, R.A

1814

Print made by James Bretherton, ca. 1730–1806

Charles Christian Reisen

1762

Print made by John Condé, 1765–1794

Sir Joshua Reynolds, Knt. L. L. D., President of the Royal Academy

1793

Print made by Charles Bretherton, ca. 1760–1783

Jonathan Richardson

undated

Edward Harding, 1755–1840

Christopher Sharp, Cambridge

1793

Print made by Samuel Freeman, 1773–1857

Henry Tresham, R. A

1809

Print made by R. Clamp, fl.1789–1798

John Taylor

1796

Print made by Samuel Freeman, 1773–1857

Sir Robert Ker Porter

undated

Print made by James Bretherton, ca. 1730–1806

Charles Christian Reisen

1762

Print made by Charles Bretherton, ca. 1760–1783

Jonathan Richardson

undated

Print made by Thomas Chambars, ca. 1724–1789

John Sybrecht

undated

Print made by John Kirby Baldrey, active 1750–1821

Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)

1798

Print made by Samuel Freeman, 1773–1857

John Smith

undated

Print made by Henry Hoppner Meyer, ca. 1782–1847

Henry Tilson, Painter

between 1800 and 1840

Print made by Thomas Chambars, ca. 1724–1789

Henry Tilson

1762

Print made by Thomas Chambars, ca. 1724–1789

Abraham Vanderdort

undated

Leopold Flameng, 1831–1911

Van Dyck et Son Protecteur le Comte de Bristol

undated

Print made by unknown artist

Portrait de Van-Dyck

undated

Thomas Harland, active early 19th century

Charles Barry

undated

Print made by unknown artist

John Constable

undated

Charles Fox, 1749–1809

John Burnet, Author of "Practical Hints on Painting"

1827

Print made by Thomas Chambars, ca. 1724–1789

Gerard Honthorst

undated

Print made by unknown artist

Peter Vanderbank (1649–1697)

undated

Sir George Hayter, 1792–1871

Sir George Hayter

1822

James Heath, 1757–1834

Rev. William Cooper

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Peter Paul Rubens

undated

Print made by Thomas Chambars, ca. 1724–1789

Horatio Gentileschi and Edward Mascall

undated

Print made by Esme de Boulonois, active 1645–1681

Antonius Morus Ultraiectinus Pictor

between 1645 and 1681

Print made by Thomas Chambars, ca. 1724–1789

William Hogarth

undated

Print made by Francesco Bartolozzi, 1728–1815

William Cobbett

1801

Print made by Robert Cooper, active ca. 1800–1836

Daniel O'Connell, Esqr

1825

Print made by Francesco Bartolozzi, 1728–1815

Lord FitzGibbon

1790

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

William Camden Edwards, 1777–1855

John Bacon, R. A

1830

Print made by Samuel Freeman, 1773–1857

Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

1810

Print made by Joseph Brown, 19th century

James Gillray

1848

Print made by Thomas Chambars, ca. 1724–1789

Francesco Cleyn

undated

Print made by Thomas Chambars, ca. 1724–1789

Horatio Gentileschi and Edward Mascall

undated

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1793

Print made by Thomas Chambars, ca. 1724–1789

Mrs. Beale and her Son Charles

1762

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1762

Print made by Joseph Collyer, 1748–1827

John Bacon, Esq., R. A

undated

Print made by Francesco Bartolozzi, 1728–1815

Gainsborough

undated

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms collar

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms collar

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