Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 6

Print made by William Blake, 1757–1827

What is Man!, Frontispiece (Plate 1)

1793

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree (Plate 3)

1793

Print made by William Blake, 1757–1827

Does Thy God O Priest Take such Vengeance as This? (Plate 14)

1793

Print made by William Blake, 1757–1827

My Son! My Son! (Plate 10)

1793

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1793

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

Print made by William Blake, 1757–1827

Frontispiece, "What is Man!" (Plate 2)

1826

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

Print made by William Miller, 1796–1882

Vincennes

1834

Print made by Edward Goodall, 1795–1870

Florence

1830

Print made by Placido Columbani, born ca. 1744, active 1801

At the Vatican

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by David Lucas, 1802–1881

Cottage in a Cornfield

1844

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Placido Columbani, born ca. 1744, active 1801

At the Villa Aldobrandini at Rome

undated

Print made by Placido Columbani, born ca. 1744, active 1801

At Rome

undated

Print made by Francesco Bartolozzi, 1728–1815

Charles Earl Cornwallis

1781

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

Print made by John Greig, active 1803–1853

Keep of Dudley Castle

1810

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Rev. William Gilpin, 1724–1804

The Artist's Bookplate and Pen Inscription from a Drawing Album

between 1745 and 1748

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 6

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 6

Search Results