Materials & Techniques: etching (printing process) / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1842

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Materials & Techniques etching (printing process)

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1842

Print made by Charles E. Wagstaff, 1808–

The Coronation of Queen Victoria

1842

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by Robert Brandard, 1805–1862

Crossing the Brook

1842

Print made by James Tibbits Willmore, 1800–1863

Ancient Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by Edward Goodall, 1795–1870

Caligula's Palace and Bridge, Bay of Baiæ

1842

Print made by Edward Goodall, 1795–1870

Caligula's Palace and Bridge, Bay of Baiæ

1842

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

Print made by George Hollis, 1792–1842

St. Mark's Place, Venice - Juliet and her Nurse

1842

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by James Tibbits Willmore, 1800–1863

Ancient Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by William Miller, 1796–1882

Modern Italy

1842

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXIX

1842

Print made by Frederick Bacon, 1803–1887

The Penitent

between 1842 and 1887

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