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Collection
Prints and Drawings
49
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
34
Hakewill, James, 1778–1843
17
Cooke, George, 1781–1834
11
Humphrey, George, ca. 1773–ca. 1831
9
Cooke, William Bernard, 1778–1855
8
Cruikshank, George, 1792–1878
8
Marryat, Frederick Capt., 1792–1848
8
Murray, John, founded 1768
8
Archer, John Wykeham, 1808–1864
3
Byrne, John, 1786–1847
3
Mitan, James, 1776–1822
3
Gastineau, Henry, 1791–1876
2
Pye, John, 1782–1874
2
Rawle, Samuel, 1771–1860
2
Unknown artist
2
Adlard, Alfred, 1803–1869
1
Cadell, Thomas, 1773–1836
1
Cruikshank, Robert Isaac, 1789–1856
1
Fry, William Thomas, 1789–1843
1
Greig, John, active 1803–1853
1
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Date
1782
155
1830
132
1834
91
1808
90
1818
81
1630
69
1814
63
1859
62
1792
61
1836
59
1816
56
1850
56
1803
54
1819
53
1797
49
1820
[remove]
49
1800
47
1812
47
1835
45
1827
43
1811
42
1793
41
1739
40
1813
40
1789
38
1826
38
1825
35
1821
34
1802
29
1795
28
1832
28
1776
26
1822
26
1824
26
1773
24
1732
22
1807
22
1799
21
1806
20
1809
20
1833
20
1842
20
1823
18
1715
17
1745
17
1772
17
1779
17
1788
17
1950
17
1735
16
1765
16
1796
16
1817
16
1855
16
1896
16
1829
15
1791
14
1810
14
1787
13
1790
13
1794
13
1841
13
1734
12
1740
12
1751
12
1775
12
1780
12
1828
12
1837
12
1838
12
1731
11
1753
11
1762
11
1801
11
1804
11
1831
11
1857
11
1875
11
1742
10
1763
10
1771
10
1815
10
1851
10
1852
10
1736
9
1783
9
1574
8
1720
8
1737
8
1781
8
1881
8
1757
7
1766
7
1784
7
1785
7
1786
7
1846
7
1856
7
1858
7
1871
7
On-site Access
Accessible by appointment in the Study Room
49
Image Use
Free to Use
49
Image Available
Available
49
Classification
Prints
49
Creator Gender
male
48
unknown
2
Collective Title
A Picturesque Tour of Italy
17
Cooke's Picturesque Views of the Southern Coast of England
9
The Progress of a Midshipman Exemplified in the Career of Master Blockhead in Seven Plates & Frontispiece
8
Whitaker's History of Richmondshire
3
Cooke's Views in Sussex
1
Excursions in the County of Surrey
1
Provincial Antiquities and Picturesque Scenery of Scotland
1
Surtees' History of Durham
1
Period
19th century
49
Materials & Techniques
etching (printing process)
[remove]
49
wove paper
43
line engraving
21
chine collé
13
aquatint
10
engraving (printing process)
10
colored ink
9
laid paper
5
stipple engraving
2
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
5
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39
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
4
to
57
Work Type
intaglio print
49
frontispiece
1
Genre
landscape
28
marine art
16
cityscape
15
architectural subject
13
genre subject
10
religious and mythological subject
8
portrait
2
animal art
1
botanical subject
1
historical subject
1
military art
1
sporting art
1
Subject Terms
river
15
marine art
11
cityscape
10
architectural subject
9
genre subject
9
illustration
9
landscape (representation)
9
castle
8
religious and mythological subject
8
bridge
7
landscape
6
man
6
men
6
satire
6
staff
6
caricature
5
channel (water body component)
5
mountains
5
sitting
5
trees
5
more
Subject Terms
»
Associated Places
United Kingdom
15
Europe
12
England
11
Italy
7
English Channel
5
Cornwall
4
Arno
3
Firenze
3
Fowey
3
Fowey Blockhouse
3
Fowey River
3
North Yorkshire
3
Polruan Blockhouse
3
Ponte Vecchio
3
Richmond
3
San Miniato al Monte
3
St. Catherine's Castle
3
Toscana
3
Avill
2
Bridport
2
more
Associated Places
»
Associated People
George IV
1
Repton, Humphry (1752–1818), landscape gardener
1
West, Benjamin (1738–1820), American history painter active in Britain
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
[remove]
49
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Materials & Techniques
etching (printing process)
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Credit Line
Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection
Date
1820
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1
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
2
Print made by George Cooke, 1781–1834
Lulworth Castle, Dorsetshire
1820
3
Print made by William Bernard Cooke, 1778–1855
Minehead, Somersetshire
1820
4
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
5
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
6
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
7
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
8
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
9
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
10
Print made by James Mitan, 1776–1822
Turin, from the Portico of the Superga Church
1820
11
Print made by William Miller, 1796–1882
Plymouth Dock from Mount Edgecumbe
1820
12
Print made by William Bernard Cooke, 1778–1855
Minehead, Somersetshire
1820
13
Print made by George Cooke, 1781–1834
Edinburgh, from the Calton Hill
1820
14
Print made by William Bernard Cooke, 1778–1855
Hurstmonceux Castle
1820
15
Print made by Samuel Rawle, 1771–1860
Raby Castle, County of Durham
1820
16
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
17
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
18
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
19
Print made by William Bernard Cooke, 1778–1855
Fowey, Cornwall
1820
20
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1820
21
Print made by John Pye, 1782–1874
The Rialto, Venice
1820
22
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1820
23
Print made by George Cooke, 1781–1834
Naples, from the Mole
1820
24
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
25
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
26
Print made by John Pye, 1782–1874
The Rialto, Venice
1820
27
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1820
28
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1820
29
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
30
Print made by James Mitan, 1776–1822
The Forum Romanum
1820
31
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
32
Print made by James Mitan, 1776–1822
Turin, from the Portico of the Superga Church
1820
33
Print made by John Scott, 1774–1828
Aysgarth Force
1820
34
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
35
Print made by William Thomas Fry, 1789–1843
Benjamin West, Esq. President of the Royal Academy
1820
36
John J. Hinchliff, 1805–1875
Lough Foyle, Londonerry
undated
37
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
38
Print made by George Cooke, 1781–1834
Humphry Repton, Esq
1820
39
Capt. Thomas Hastings, 1778–1854
On Hounslow Heath, Outer Suburb, West
1820
40
unknown artist
View of the Coronation Procession of George IV
ca. 1821
41
Print made by George Cruikshank, 1792–1878
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
42
Print made by George Cruikshank, 1792–1878
Finding things not exactly what he expected - Plate 2
1820
43
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
44
Print made by George Cruikshank, 1792–1878
Mr. B seeking the Bubble reputation - Plate 5
1820
45
Print made by George Cruikshank, 1792–1878
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
46
John Greig, active 1803–1853
Godalming, Surrey
1820
47
Print made by George Cruikshank, 1792–1878
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
48
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
49
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1820