Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Width [cm]: 31

1. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Bruiser

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1763
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

4. The Stage-Coach, or A Country Inn Yard

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 1/4 inches (21.9 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Beer Street

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 19 3/8 inches (66.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery

6. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Original Sketch of a Picture for W. Leader, Esq.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint printed in brown ink, with graphite; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Near Blair Athol, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 1/4 inches (23.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Inverary Pier, Loch Fyne, Morning

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; fifth published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 13 3/8 inches (27 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 inches (28.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Ships in a Breeze

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 inches (21.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Interior of a Church

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Entrance of Calais Harbour

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Psyche Repents

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 12 inches (30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Anacreon Ode LII

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 12 inches (30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Aristophanes Clouds. Scene I

Creator:: Print made by William Blake, 1757–1827
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 12 inches (30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. St. Anne's Hill, No. II

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 × 11 3/4 inches (18.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. George Fox and the Old Priest

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 7/16 x 12 inches (24 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

28. George Fox in Carlisle Dungeon

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

29. George Fox and the Dead Cromwell

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1898
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

30. The Headless Christ

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1910
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Plate: 15 3/8 × 12 inches (39 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel and Pearl K. Bell

31. Eventide

Creator:: Print made by Ernest Herbert Whydale, 1886–1954
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 16 7/8 x 12 inches (42.9 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

32. St. Pierre's Cottage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving; with graphite and scraping out; touched engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite and scraping out; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Mount Sinai, the Valley in which the Children of Israel were Encamped

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Sandy Knowe, or Smailholm Tower

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper mounted on verso of canceled intaglio print
Dimensions:: Sheet: 4 1/2 × 3 3/8 inches (11.4 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Nazareth

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; first state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Captain William Baillie

Creator:: Print made by William Baillie, 1723–1810
Date:: between 1750 and 1810
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 12 1/4 inches (28.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Mucius Scaevola Burning his Hand

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1735
Materials & Techniques:: Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Virgin Holding Child Christ in Her Arm

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 12 1/4in. (24.1 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Landscape with Two Travellers Talking

Creator:: Print made by Charles Knapton, 1700–1760
Date:: 1736
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 12 3/8in. (22.2 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Landscape with Figures Bathing in a River

Creator:: Print made by Charles Knapton, 1700–1760
Date:: 1732 to 1736
Materials & Techniques:: Etching printed in red ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 12in. (18.4 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Landscape with a Tree in the Center and Figures in a Boat

Creator:: Print made by Charles Knapton, 1700–1760
Date:: 1732 to 1736
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 12 3/8in. (20.3 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Coast View with Aeneas Hunting

Creator:: Print made by Arthur Pond, ca. 1705–1758
Date:: 1734
Materials & Techniques:: Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 12in. (24.8 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Inventions by G. Cumberland, Title Page to 'Thoughts on Outline'

Creator:: Attributed to George Cumberland, 1754–1848
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 inches (22.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Tiger Seizing a Bullock in a Pass

Creator:: Print made by unknown artist
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

47. Content with Food which Nature Freely Bred

Creator:: Print made by George Cumberland, 1754–1848
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 12 inches (22.9 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Think You, the Happy in the Shades Below

Creator:: Print made by George Cumberland, 1754–1848
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 12 inches (30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. O Be Thy Mouth with Figs Ægilean Filled

Creator:: Print made by George Cumberland, 1754–1848
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 12 inches (30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Lytierses

Creator:: Print made by George Cumberland, 1754–1848
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 12 inches (30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Anacreon. Ode XXXIX. Drinking Scene

Creator:: Print made by George Cumberland, 1754–1848
Date:: 1795
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Binding: 12 inches (30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Rome from Monte Testaccio

Creator:: Print made by John Byrne, 1786–1847
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Seascape

Creator:: Print made by Charles Knapton, 1700–1760
Date:: 1732 to 1736
Materials & Techniques:: Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 12in. (21 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Priam’s Tears

Creator:: Freya Payne, born 1968
Date:: 2005
Materials & Techniques:: Etching, aquatint, and roulette on moderately thick, slightly textured, white wove paper
Dimensions:: Frame: 21 × 18 × 1 5/8 inches (53.3 × 45.7 × 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Driek and Michael Zirinsky

55. Two Bunches a Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Ramah and Rachel's Tomb

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Logie, Buchan Ferry

Creator:: Print made by James McBey, 1883–1959
Date:: 1905
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 12 inches (19.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

59. Enkhuisen Harbor

Creator:: Print made by James McBey, 1883–1959
Date:: 1910
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 inches (20.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

60. Milk below Maids

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Do You Want Any Matches?

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Sweet China Oranges, Sweet China

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. New Mackrel, New Mackrel

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Fresh Gathered Peas, Young Hastings

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Knives, Scissors, and Razors to Grind

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Strawberrys, Scarlet Strawberrys

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 1/4 inches (41.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

Creator:: Print made by James Basire II, 1769–1822
Date:: after 1819
Materials & Techniques:: Hand colored engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 22 7/8 x 15 1/8 inches (58.1 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Difference of Opinion

Creator:: Print made by Auguste Boulard, 1852–1927
Date:: 1897
Materials & Techniques:: Etching and drypoint on vellum
Dimensions:: Sheet: 18 15/16 × 12 3/16 inches (48.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bryan Fuermann

73. The New Petty Coat Administration

Creator:: Print made by William Heath, 1795–1840
Date:: ca. 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

74. A Parti Carré for a Crown

Creator:: Print made by Henry Heath, active 1824–1835
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 14 1/2 inches (28.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

75. Benton Castle

Creator:: Print made by Paul Sandby, 1731–1809
Date:: 1778
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

76. Chanticleer and Pertelote

Creator:: Print made by Dame Elisabeth Frink, 1930–1993
Date:: 1970
Materials & Techniques:: Etching and aquatint on medium, slightly textured, white wove paper
Dimensions:: Sheet: 15 7/8 × 23 3/8 inches (40.3 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

77. The Front of the Monument of Aveline, First Wife of Edmund Crouchback, Plate I

Creator:: Print made by James Basire, 1730–1802
Date:: 1780
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/8 × 14 inches (53.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Figure of Aveline Countess of Lancaster, Cumbent on her Monument, Plate II

Creator:: Print made by James Basire, 1730–1802
Date:: 1780
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 × 14 inches (53.3 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Peat-Gatherers

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Lancaster Sands

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Outskirts of the Forest

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Changing Pasture

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. The Infant Academy

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Marchioness Camden

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: between 1782 and 1810
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 1/16 × 15 1/8 inches (51 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Miss Farren

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1791
Materials & Techniques:: Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 14 1/8 inches (51.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Miss Farren

Creator:: Print made by Charles Knight, 1743–c.1826
Date:: 1791
Materials & Techniques:: Etching and stipple engraving (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 14 inches (54.3 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. La Surprise

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1827
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 16 1/8 inches (49.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. William Sharp

Creator:: Print made by William Sharp, 1749–1824
Date:: 1817
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 × 17 1/2 inches (54.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Benjamin Franklin

Creator:: Print made by Henri Emile Lefort, 1852–1916
Date:: 1896
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 28 × 22 inches (71.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. Charles Robert Darwin

Creator:: Print made by Paul Adolphe Rajon, 1842–1888
Date:: 1882
Materials & Techniques:: Etching (unique remarque proof) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 20 1/16 inches (65.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching; open etched state (2) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Weymouth, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; intermediate state between completed engraver's proof and 1st state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Weymouth, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Corfe Castle, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Bow and Arrow Castle, Isle of Portland

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; first published state on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 × 17 3/8 inches (28.7 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Bow and Arrow Castle, Isle of Portland

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/2 inches (28.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Watchet, Somersetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 20 9/16 inches (34.1 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques etching (printing process)

Collection Prints and Drawings

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Search Results

1. The Rising Moon

2. The Cypress Grove

3. The Bruiser

4. The Stage-Coach, or A Country Inn Yard

5. Beer Street

6. Mt. St. Gothard

7. Original Sketch of a Picture for W. Leader, Esq.

8. Near Blair Athol, Scotland

9. Inverary Pier, Loch Fyne, Morning

10. Calm

11. Calm

12. Ships in a Breeze

13. Ships in a Breeze

14. Entrance of Calais Harbour

15. Interior of a Church

16. Entrance of Calais Harbour

17. Interior of a Church

18. Entrance of Calais Harbour

19. Calm

20. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

21. Psyche Repents

22. 'Swift on his downy pinion flies from woe' (Page 1)

23. Anacreon Ode LII

24. Aristophanes Clouds. Scene I

25. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

26. St. Anne's Hill, No. II

27. George Fox and the Old Priest

28. George Fox in Carlisle Dungeon

29. George Fox and the Dead Cromwell

30. The Headless Christ

31. Eventide

32. St. Pierre's Cottage

33. Brienne

34. Brienne

35. Mount Sinai, the Valley in which the Children of Israel were Encamped

36. Sandy Knowe, or Smailholm Tower

37. Nazareth

38. Captain William Baillie

39. Mucius Scaevola Burning his Hand

40. Virgin Holding Child Christ in Her Arm

41. Landscape with Two Travellers Talking

42. Landscape with Figures Bathing in a River

43. Landscape with a Tree in the Center and Figures in a Boat

44. Coast View with Aeneas Hunting

45. Inventions by G. Cumberland, Title Page to 'Thoughts on Outline'

46. A Tiger Seizing a Bullock in a Pass

47. Content with Food which Nature Freely Bred

48. Think You, the Happy in the Shades Below

49. O Be Thy Mouth with Figs Ægilean Filled

50. Lytierses

51. Anacreon. Ode XXXIX. Drinking Scene

52. Rome from Monte Testaccio

53. Seascape

54. Priam’s Tears

55. Two Bunches a Penny Primroses, Two Bunches a Penny

56. A New Love Song, Only ha'Penny a Piece

57. Ramah and Rachel's Tomb

58. Logie, Buchan Ferry

59. Enkhuisen Harbor

60. Milk below Maids

61. Do You Want Any Matches?

62. Sweet China Oranges, Sweet China

63. New Mackrel, New Mackrel

64. Fresh Gathered Peas, Young Hastings

65. Knives, Scissors, and Razors to Grind

66. Strawberrys, Scarlet Strawberrys

67. Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger.

68. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

69. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

70. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

71. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

72. A Difference of Opinion

73. The New Petty Coat Administration