Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Width [cm]: 0

Print made by William Hogarth, 1697–1764

The Five Orders of Periwigs

1761

after William Hogarth, 1697–1764

The Polling

1766

after William Hogarth, 1697–1764

Auction of Pictures, &c

1799

after William Hogarth, 1697–1764

Country Inn Yard

1833

after William Hogarth, 1697–1764

Auction of Pictures, &c

1799

after William Hogarth, 1697–1764

The Foundlings

1833

after William Hogarth, 1697–1764

The Invasion, Plate 2, England

1768

after William Hogarth, 1697–1764

The Invasion, Plate 1, France

1768

after William Hogarth, 1697–1764

The Invasion, Plate 2, England

1833

after William Hogarth, 1697–1764

The Invasion, Plate 2, England

1833

after William Hogarth, 1697–1764

Chairing the Members

1766

after William Hogarth, 1697–1764

The Chorus

1768

after William Hogarth, 1697–1764

The Laughing Audience

1768

after William Hogarth, 1697–1764

Satire on False Perspective

1799

after William Hogarth, 1697–1764

Satire on False Perspective

1799

after William Hogarth, 1697–1764

Industry and Idleness, Plate 11, The Idle 'Prentice Executed at Tyburn

1768

after William Hogarth, 1697–1764

Industry and Idleness, Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Prostitute

1833

after William Hogarth, 1697–1764

Industry and Idleness, Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

1833

after William Hogarth, 1697–1764

Industry and Idleness, Plate 9, The Idle 'Prentice Betrayed by a Prostitute

1833

after William Hogarth, 1697–1764

Industry and Idleness, Plate 10, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice

1833

Etched by Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1809

Print made by Edward Goodall, 1795–1870

Florence

1830

Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565

Pantheum Romanum nunc Mariae Cognomento

1549

Print made by Sir David Young Cameron, 1865–1945

Berwick; Printed with Counterproof of Dundee

1890

Print made by Edward Goodall, 1795–1870

Florence

1830

Print made by Robert Wallis, 1794–1878

St. Maurice

1830

Print made by William Bernard Cooke, 1778–1855

Martigny

1830

Print made by Henry Le Keux, 1787–1868

Villa Madama, Moonlight

1830

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1829

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by Robert Walker Macbeth, 1848–1910

The Ferry Inn

1881

James Gillray, 1756–1815

The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)

1796

Print made by Frederick Landseer Maur Griggs, 1876–1938

Sutton

1912

Paul Sandby, 1731–1809

The Horse Race at Rome During the Carnival

ca. 1781

Print made by Sir Frank William Brangwyn, 1867–1956

Maple Tree

1905

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Print made by Arthur Pond, ca. 1705–1758

Seated Female Figure with a Large Book

1732 to 1736

Print made by Edward Goodall, 1795–1870

Smailholm Tower

1834

Print made by B. Winkles, active 1830–1840

St. Ouens Abbey, Rouen

1850

Print made by William Heath, 1795–1840

A Mistake

1829

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

Print made by Charles William Sherborn, 1831–1912

Westminster Abbey

1877

Print made by Francesco Bartolozzi, 1728–1815

View of the Inside of the Vestibulum

1764

Print made by Francesco Bartolozzi, 1728–1815

View of the Temple of Aesculapius

1764

Print made by Francesco Bartolozzi, 1728–1815

View of the Porta Ferrea

1764

Print made by Francesco Bartolozzi, 1728–1815

Another View of the Temple of Aesculapius

1764

Print made by unknown artist

Frontispiece to the Artist's Catalogue

1850

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810

First Design for the Enraged Musician

1799

Print made by Thomas Cook, 1744–1818

The Enraged Musician

1806

Print made by Thomas Cook, 1744–1818

Analysis of Beauty, Plate II

1808

Print made by Samuel Ireland, 1744–1800

Head of Diana

1785

Print made by unknown artist

Boys Peeping at Nature

1799

Print made by J. Barlow, active 1791

Conversation in the Manner of Van Dyck

1799

Print made by J. Barlow, active 1791

Scene at a Banking House in 1745

1799

Print made by unknown artist

The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

ca. 1860

Print made by unknown artist

The Battle of the Pictures

1870

Print made by Thomas Cook, 1744–1818

Tail Piece to the Artist's Catalogue, 1761

1807

Print made by Anna Maria Ireland, active late-18th century

Ex Libris of George Lambert

1791

Print made by Anna Maria Ireland, active late-18th century

Arms of the Dutchess of Kendal

1794

Print made by Jane Ireland, active ca. 1785–1800

Frontispiece to Leveridge's Songs

1799

Print made by unknown artist

Frontispiece to the Artist's Catalogue

1850

Print made by Samuel Ireland, 1744–1800

A Third Modern Military Punishment

1794

Print made by Thomas Cook, 1744–1818

Frontispiece to the Artist's Catalogue, 1761

1807

Print made by Thomas Cook, 1744–1818

Frontispiece to the Artist's Catalogue, 1761

1807

Print made by Samuel Ireland, 1744–1800

A Third Modern Military Punishment

1794

Print made by Samuel Ireland, 1744–1800

A Third Modern Military Punishment

1794

Print made by Samuel Ireland, 1744–1800

A Third Modern Military Punishment

1794

Print made by Samuel Ireland, 1744–1800

A Third Modern Military Punishment

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Samuel Ireland, 1744–1800

A Third Modern Military Punishment

1794

Print made by Samuel Ireland, 1744–1800

A Third Modern Military Punishment

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Thomas Cook, 1744–1818

Blackwell's Military Figures, Plate I, Pikemen

1809

Print made by Anna Maria Ireland, active late-18th century

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Thomas Cook, 1744–1818

Blackwell's Military Figures, Plate II, Halberd Men

1809

Print made by Thomas Cook, 1744–1818

Specimens of Beaver's Military Punishments, 1725

1809

Print made by Thomas Cook, 1744–1818

Specimens of Beaver's Military Punishments, 1725

1809

Print made by Thomas Cook, 1744–1818

Specimens of Beaver's Military Punishments, 1725

1809

Print made by Anna Maria Ireland, active late-18th century

The Right Hon. Gustavus Lord Viscount Boyne &c

between 1774 and 1800

Print made by Thomas Cook, 1744–1818

Blackwell's Military Figures, Plate II, Halberd Men

1809

Print made by G. Presbury, active 1823–1845

The Distressed Poet

1833

Print made by Thomas Cook, 1744–1818

A Country Inn Yard

1808

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