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Materials & Techniques etching (printing process)

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Collection Prints and Drawings

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Date 1794

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1. Cupid & Psyche

Cupid & Psyche
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 1/8 inches (19.7 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Iron Age

Iron Age
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 1/8 inches (19.7 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Psyche Repents

Psyche Repents
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 12 inches (30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Conjugal Union of Cupid

The Conjugal Union of Cupid
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Binding: 12 inches (30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Anacreon Ode LII

Anacreon Ode LII
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Binding: 12 inches (30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Psyche Disobeys

Psyche Disobeys
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 1/8 inches (19.7 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Psyche Repents

Psyche Repents
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 1/8 inches (19.7 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Venus Councels Cupid

Venus Councels Cupid
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 7 3/4 inches (25.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Conjugal Union of Cupid

The Conjugal Union of Cupid
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 7 3/4 inches (25.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Psyche Disobeys

Psyche Disobeys
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Venus Counsels Cupid

Venus Counsels Cupid
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Binding: 12 inches (30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Cupid & Psyche

Cupid & Psyche
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Binding: 12 inches (30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Kenilworth Castle

Kenilworth Castle
Creator:
Print made by Letitia Byrne, 1779–1849
Date:
1794-1837
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 17 3/8 inches (35.2 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

14. Oxford

Oxford
Creator:
Print made by Letitia Byrne, 1779–1849
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 13 1/2 inches (25.1 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

15. Farm Scene

Farm Scene
Creator:
Print made by Letitia Byrne, 1779–1849
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 13 1/2 inches (21.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

16. Do you want any Matches?

Do you want any Matches?
Creator:
Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 13 3/8 inches (43.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Sweet China Oranges, Sweet China!

Sweet China Oranges, Sweet China!
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 1/2 inches (43.5 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

19. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

20. Arms of the Dutchess of Kendal

Arms of the Dutchess of Kendal
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

21. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

22. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

23. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

24. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

25. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

26. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

27. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

28. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

29. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

31. A Third Modern Military Punishment

A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

32. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

33. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

34. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

35. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

36. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

37. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

38. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

39. Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat

Plate 1: A Seated Roman General and Plate 2: Issued Barley Instead of Wheat
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

40. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

41. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

42. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

43. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

44. Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery

Plate 3: Banishment, Plate 4: Degrading Punishments, and Plate 5: Freemen Degraded and Sold into Slavery
Creator:
Print made by Anna Maria Ireland, active late-18th century
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

45. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

46. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

47. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

48. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

49. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

50. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

51. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

52. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

53. False Perspective Exemplified

False Perspective Exemplified
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

54. False Perspective Exemplified

False Perspective Exemplified
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

55. False Perspective Exemplified

False Perspective Exemplified
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

56. Do You Want Any Matches?

Do You Want Any Matches?
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Sweet China Oranges, Sweet China

Sweet China Oranges, Sweet China
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Do You Want Any Matches?

Do You Want Any Matches?
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Sir John Hawkins

Sir John Hawkins
Creator:
Print made by R. Clamp, fl.1789–1798
Date:
1794
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 5 5/16 inches (18 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

60. Sweet China Oranges, Sweet China

Sweet China Oranges, Sweet China
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/16 × 13 1/2 inches (43.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Cottagers

The Cottagers
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 × 16 1/4 inches (53.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

62. His Royal Highness George Prince of Wales

His Royal Highness George Prince of Wales
Creator:
Print made by John Condé, 1765–1794
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, and etching on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 12 3/4 x 10 1/4 inches (32.4 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. Magdalen Hospital

Magdalen Hospital
Creator:
Print made by George Quinton, born 1779
Date:
undated
Materials & Techniques:
Stipple engraving with etching
Dimensions:
Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Hamlet in Scotland

Hamlet in Scotland
Creator:
Print made by Robert Dighton, 1752–1814
Date:
1794
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 9 3/8 inches (28.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. Key To The Figures In "The Death Of Chatham"

Key To The Figures In "The Death Of Chatham"
Creator:
Abraham Raimbach, 1784–1868
Date:
1794
Materials & Techniques:
Etching and engraving, published state
Dimensions:
Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Shakespeare's Winter Tale Act III Scene III

Shakespeare's Winter Tale Act III Scene III
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1794
Materials & Techniques:
Etching and line engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 21 3/8 × 26 9/16 inches (54.3 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Sir James Wishart

Sir James Wishart
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
between 1794 and 1798
Materials & Techniques:
Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 × 3 3/4 inches (13.9 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Ticket: For the Benefit of Mr. Salomon

Ticket: For the Benefit of Mr. Salomon
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Winter's Tale, Act III, Scene III

Winter's Tale, Act III, Scene III
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1794
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 5/16 × 27 3/8 inches (54.1 × 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

71. Royal Humane Society's Receiving House in Hyde Park

Royal Humane Society's Receiving House in Hyde Park
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on medium, smooth, beige laid paper
Dimensions:
Sheet: 3 × 4 13/16 inches (7.6 × 12.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Sweet China Oranges, Sweet China

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 11 1/2 inches (40 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey