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Materials & Techniques engraving (printing process)

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

On view at YUAG

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

William Hogarth Copyright - Act of Parliament

William Hogarth, 1697–1764

Copyright - Act of Parliament

1767

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake The Complaint, and the Consolation; or, Night Thoughts

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

1797

James Heath Lynx

Print made by James Heath, 1757–1834

Lynx

1789

James Heath Rhinoceros of Africa

Print made by James Heath, 1757–1834

Rhinoceros of Africa

1789

James Heath Ashkoko

Print made by James Heath, 1757–1834

Ashkoko

1789

James Heath Fennec

Print made by James Heath, 1757–1834

Fennec

1789

James Heath Tsaltsalya / El Adda

Print made by James Heath, 1757–1834

Tsaltsalya / El Adda

1789

James Heath Nisser Tokoor

Print made by James Heath, 1757–1834

Nisser Tokoor

1789

James Heath Sheregrig

Print made by James Heath, 1757–1834

Sheregrig

1789

James Heath Bee Cuckoo

Print made by James Heath, 1757–1834

Bee Cuckoo

1790

James Heath Rachamah

Print made by James Heath, 1757–1834

Rachamah

1790

George Cooke Corfe Castle, Dorsetshire

Print made by George Cooke, 1781–1834

Corfe Castle, Dorsetshire

1814-1826

George Cooke Teignmouth, Devon

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1814

George Cooke Teignmouth, Devon

Print made by George Cooke, 1781–1834

Teignmouth, Devon

1814 to 1826

William Bernard Cooke Dartmouth, Devon

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

William Bernard Cooke Dartmouth, Devon

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814

James Heath Papyrus

Print made by James Heath, 1757–1834

Papyrus

1790

James Heath Geshe el Aube

Print made by James Heath, 1757–1834

Geshe el Aube

ca. 1789

James Heath Tett

Print made by James Heath, 1757–1834

Tett

ca. 1790

James Heath Balessan

Print made by James Heath, 1757–1834

Balessan

1789

Claude Du Bosc The Monument of King Edward III in Westminster Abbey

Claude Du Bosc, c.1711–1740

The Monument of King Edward III in Westminster Abbey

undated, ca. 1726-1740

George Vertue The Monument in Westminster Abbey of King Henry V

George Vertue, 1684–1756

The Monument in Westminster Abbey of King Henry V

between 1699-1756

Edward Calvert The Bride

Print made by Edward Calvert, 1799–1883

The Bride

1828

Edward Calvert The Sheep of His Pasture

Print made by Edward Calvert, 1799–1883

The Sheep of His Pasture

ca. 1828

Jacob van Schley The Monument of King Henry III, in Westminster Abbey

Jacob van Schley, 1715–1779

The Monument of King Henry III, in Westminster Abbey

1735

Lucas Vorsterman I Ioannes, Comes Nassouiæ

Print made by Lucas Vorsterman I, 1595–1675

Ioannes, Comes Nassouiæ

ca. 1635

William Bernard Cooke Falmouth, Cornwall

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1815

William Bernard Cooke Falmouth, Cornwall

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1816

William Bernard Cooke Plymouth Dock from Mount Edgecumbe

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

William Bernard Cooke Plymouth Dock from Mount Edgecumbe

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

William Miller Plymouth Dock from Mount Edgecumbe

Print made by William Miller, 1796–1882

Plymouth Dock from Mount Edgecumbe

1820

William Bernard Cooke Plymouth from Mount Batten

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

William Bernard Cooke Plymouth from Mount Batten

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

George Cooke Pendennis Castle, and Entrance of Falmouth Harbour

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

George Cooke Pendennis Castle, and Entrance of Falmouth Harbour

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

William Bernard Cooke Bow and Arrow Castle, Isle of Portland

Print made by William Bernard Cooke, 1778–1855

Bow and Arrow Castle, Isle of Portland

1814-1826

William Bernard Cooke Martello Towers at Bexhill

Print made by William Bernard Cooke, 1778–1855

Martello Towers at Bexhill

1817

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

William Bernard Cooke East and West Looe, Cornwall

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

George Cooke Tintagel Castle, Cornwall

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

George Cooke The Roman Forum, from the Tower of the Capitol

Print made by George Cooke, 1781–1834

The Roman Forum, from the Tower of the Capitol

1818-1820

George Cooke The Roman Forum, from the Tower of the Capitol

Print made by George Cooke, 1781–1834

The Roman Forum, from the Tower of the Capitol

1818-1820

John Le Keux Rome from the Farnesean Gardens

Print made by John Le Keux, 1783–1846

Rome from the Farnesean Gardens

1818-1820

George Hollis The Forum Romanum

Engraved by George Hollis, 1792–1842

The Forum Romanum

1818-1820

John Byrne Rome from Monte Testaccio

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

John Byrne Rome from Monte Mario

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1818-1820

John Byrne Tomb of Cecilia Metella

Print made by John Byrne, 1786–1847

Tomb of Cecilia Metella

1818-1820

John Byrne Tomb of Cecilia Metella

Print made by John Byrne, 1786–1847

Tomb of Cecilia Metella

1818-1820

Robert Brandard Between Quilleboeuf and Villequier

Print made by Robert Brandard, 1805–1862

Between Quilleboeuf and Villequier

1834

William Miller Hougoumont

Print made by William Miller, 1796–1882

Hougoumont

1834

William Miller Norham Castle - Moonrise

Print made by William Miller, 1796–1882

Norham Castle - Moonrise

1834

William Miller Vincennes

Print made by William Miller, 1796–1882

Vincennes

1835

William Miller Brienne

Print made by William Miller, 1796–1882

Brienne

1834

William Miller Verona

Print made by William Miller, 1796–1882

Verona

1835

William Miller Paris from Pere-la-Chaise

Print made by William Miller, 1796–1882

Paris from Pere-la-Chaise

1835

William Miller The Simplon

Print made by William Miller, 1796–1882

The Simplon

1834

William Miller St. Cloud

Print made by William Miller, 1796–1882

St. Cloud

1835

William Miller Field of Waterloo, with Lightning

Print made by William Miller, 1796–1882

Field of Waterloo, with Lightning

1835

William Miller Chiefswood Cottage

Print made by William Miller, 1796–1882

Chiefswood Cottage

1835

William Miller Fontainebleau

Print made by William Miller, 1796–1882

Fontainebleau

1835