Materials & Techniques: engraving (printing process) / Subject Terms: religious and mythological subject - YCBA Collections Search Search Results

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Materials & Techniques engraving (printing process)

Subject Terms religious and mythological subject

1. The Morning of Life

The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Turin, from the Portico of the Superga Church

Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Durham Cathedral

Durham Cathedral

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Turin, from the Portico of the Superga Church

Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. William Robertson

William Robertson

Creator:: John Hall, 1739–1797
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/4 × 5 1/4 inches (19.7 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Thomas Wolsey

Creator:: Pieter S. van der Gunst, 1659–c. 1724
Date:: undated
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 8 inches (34.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Morning of Life

No cover image available

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Job's Comforters

No cover image available

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Line engraving on india proof paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection