Materials & Techniques: engraving (printing process) / Width [cm]: 32

1. 'The goddess bursts in thunder and in flame' (Page 95)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'Is lost in love! thou great Philanthropist' (Page 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'That touch, with charm celestial heals the soul' (Page 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'When faith is virtue, reason makes it so' (Page 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Night the First. On Life, Death, and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'Its favours here are trials, not rewards' (Page 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'And vapid; sense and reason shew the door' (Page 72)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 12 3/4 inches (41.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Weymouth, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 5/16 inches (37.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. East and West Looe, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Rome from Monte Mario

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching; open etched state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Coventry, Warwickshire

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 13/16 inches (26.8 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; second state on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/16 inches (27.3 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Llandberis Lake, Wales

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 5/8 inches (27.6 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Dunwich

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Llangollen, North Wales

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1837
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 14 15/16 inches (28.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Penmaen Mawr, Caernarvonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques engraving (printing process)

Width [cm] 32

Search Results

1. 'The goddess bursts in thunder and in flame' (Page 95)

2. 'The longest night though longer far, would fail' (Page 15)

3. 'Emblem of that which shall awake the dead' (Page 19)

4. 'We censure nature for a span too short' (Page 23)

5. 'Teaching, we learn; and giving, we retain' (Page 35)

6. 'Love, and love only, is the loan for love' (Page 37)

7. 'Angels should paint it, angels ever there' (Page 40)

8. 'One radiant mark, – the death-bed of the just' (Page 41)

9. Night the Third. Narcissa; Title Page

10. 'Where sense runs savage broke from reason's chain' (Page 46)

11. 'As if the sun could envy, check'd his beam' (Page 49)

12. 'The vale of death! that hush'd cimmerian vale' (Page 54)

13. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

14. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

15. 'This King of Terrors is the Prince of Peace' (Page 63)

16. 'Till death, that mighty hunter, earths them all' (Page 70)

17. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

18. 'The Sun beheld it – No, the shocking scene' (Page 75)

19. 'The thunder, if in that the Almighty dwells' (Page 80)

20. 'His hand the good man fastens on the skies' (Page 86)

21. 'Is lost in love! thou great Philanthropist' (Page 87)

22. 'That touch, with charm celestial heals the soul' (Page 90)

23. 'When faith is virtue, reason makes it so' (Page 92)

24. 'If angels tremble, 'tis at such a sight' (Page 93)

25. The Christian Triumph; Title Page

26. Night the First. On Life, Death, and Immortality; Title Page

27. 'Swift on his downy pinion flies from woe' (Page 1)

28. 'What, though my soul fantastick measures trod' (Page 4)

29. 'Till at Death's toll, whose restless iron tongue' (Page 7)

30. 'Disease invades the chastest temperence' (Page 10)

31. 'Its favours here are trials, not rewards' (Page 12)

32. 'The present moment terminates our sight' (Page 13)

33. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

34. 'Behold him, when past by; what then is seen' (Page 25)

35. 'O treacherous conscience! while she seems to sleep" (Page 27)

36. 'Tis greatly wise to talk with our past hours' (Page 31)

37. 'Like that, the dial speaks; and points to thee' (Page 33)

38. 'And vapid; sense and reason shew the door' (Page 72)

39. Weymouth, Dorsetshire

40. East and West Looe, Cornwall

41. Aldborough

42. Aldborough

43. Aldborough

44. Rome from Monte Mario

45. Naples, from the Mole

46. Florence, from the Chiesa al Monte

47. Coventry, Warwickshire

48. Arundel Castle and Town, Sussex

49. Llandberis Lake, Wales

50. Dunwich

51. Llangollen, North Wales

52. Penmaen Mawr, Caernarvonshire

53. Arundel Castle and Town, Sussex