Materials & Techniques: engraving (printing process) / On-site Access: Accessible by appointment in the Study Room / Width [cm]: 32

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Materials & Techniques engraving (printing process)

On-site Access Accessible by appointment in the Study Room

Width [cm] 32

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorsetshire

1813

Print made by George Cooke, 1781–1834

Naples, from the Mole

1819

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1818-1820

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by James C. Allen, active 1821–1831

Dunwich

1819-1826

Print made by James Tibbits Willmore, 1800–1863

Penmaen Mawr, Caernarvonshire

1834

Print made by James Tibbits Willmore, 1800–1863

Llangollen, North Wales

1837

Print made by S. Fisher, active 1831–1844

Coventry, Warwickshire

1833

Print made by James Tibbits Willmore, 1800–1863

Llandberis Lake, Wales

1834

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

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