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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
3
Creator
Blake, William, 1757–1827
2
Earlom, Richard, 1743–1822
1
Green, Amos, 1735–1807
1
Stubbs, George, 1724–1806
1
Date
1794
16
1783
9
1793
4
1790
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3
1796
1
1800
1
1916
1
1920
1
1934
1
On-site Access
Accessible by appointment in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Prints
3
Creator Gender
male
3
Period
18th century
2
18th century-19th century
1
Materials & Techniques
color printing
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3
black ink
2
relief etching
2
watercolor
2
wove paper
2
laid paper
1
mezzotint
1
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drawing
2
relief print
2
watercolor
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intaglio print
1
Genre
literary theme
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genre subject
1
landscape
1
Subject Terms
genre subject
3
trees
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3
grazing
2
men
2
sheep
2
birds
1
boys
1
cart
1
children
1
cottage
1
dog (animal)
1
forest
1
hats
1
hills
1
horse (animal)
1
houses
1
infants
1
laborers
1
landscape
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Exhibition History
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
2
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
2
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
2
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
Credit Line
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Paul Mellon Collection
1
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color printing
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1790
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trees
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1
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
2
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
3
Richard Earlom, 1743–1822
Labourers
1790