Materials & Techniques: chine collé / Subject Terms: architectural subject

1. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and line engraving, with chine collé and graphite; touched engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Lowestoffe Lighthouse

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching; open etched state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Bolton Abbey

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (1) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Columbus and his Son

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 9 1/16 inches (36.8 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Belvoir Castle, Rutland

Creator:: M. J. Starling, active 1830
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Althorp Castle, Northamptonshire

Creator:: James Redway, active 1827–1838
Date:: undated
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching with chine collé; engraver's proof, open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Traitor's Gate, Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Bell Rock Lighthouse

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 7/8 inches (24.4 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Etching and line engraving with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Rhodes

Creator:: Print made by William Finden, 1787–1852
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's finished proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Castle of St. Angelo

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Lowestoffe Lighthouse

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Bridge at Narni

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 7/16 inches (29.8 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Venice, The Rialto - Moonlight

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 9 5/8 inches (36.2 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 1/2 inches (33.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/16 inches (30.5 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Santa Maria della Spina, Pisa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Canal of the Loire and Cher, near Tours

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Florence, from San Miniato

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Florence, from San Miniato

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Destruction of Both Houses of Parliament

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Destruction of Both Houses of Parliament

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Florence, from the Ponte alla Carraia

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving, with chine collé and graphite; touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching with chine collé; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Venice, The Rialto - Moonlight

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/16 × 11 11/16 inches (43.3 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Roslin Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1822
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Bell Rock Lighthouse

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; proof on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderatelythick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Custom House

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Tivoli, a Composition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé; 1st state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Saumur

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on moderatle thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 1/2 inches (27.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Bergues - La Tour du Marché

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Egglestone Abbey, near Barnard Castle

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Bolton Abbey, Wharfdale

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1826
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 5/16 inches (16.2 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Rue du Gros-Horloge, Rouen

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

63. Saumur

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Bolton Abbey

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 × 6 3/4 inches (30.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (bc) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 40 1/2 × 11 11/16 inches (102.9 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Rhodes

Creator:: Print made by William Finden, 1787–1852
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; 1st published state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 inches (29.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Thornbury Castle, Gloucestershire

Creator:: Louis Haghe, 1806–1885
Date:: between 1823 and 1835
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. L'Eglise de St. Gervais et St. Protais

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 x 15 3/16 inches (30.2 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

75. Ruines de Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Tour aux Archives a Vernon

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Vue Generale des Ruines du Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 18 11/16 x 13 7/16 inches (47.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Château Vilain sur la Riviere Dain, Franche Comte

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Verona, Hay Barge on the Medway, and a Calvary (three prints)

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: after 1833
Materials & Techniques:: Transfer lithograph on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Tower from the River

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Tower Hill

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. View of the City of Bristol

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1831
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 11 7/16 inches (27.3 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

88. Santa Maria della Spina, Pisa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/16 × 10 13/16 inches (41.4 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. View of Tonbridge During the Late Election

Creator:: Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on thick, slightly textured, cream card
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Mousehold Heath, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: between 1810 and 1811
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 15/16 inches (23.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques chine collé

Subject Terms architectural subject

Search Results

1. The Herdsman's Cottage

2. Château of Amboise

3. Lowestoffe Lighthouse

4. Bolton Abbey

5. Columbus and his Son

6. Turin, from the Portico of the Superga Church

7. Richmond Castle and Town

8. Belvoir Castle, Rutland

9. Althorp Castle, Northamptonshire

10. The Grand Canal, Venice

11. The Grand Canal, Venice

12. Traitor's Gate, Tower of London

13. Tantallon Castle

14. Bell Rock Lighthouse

15. The Rialto, Venice

16. The Rialto, Venice

17. Rome, Bridge, and Castle of St. Angelo, on the Tyber

18. Rhodes

19. The Castle of St. Angelo

20. Lowestoffe Lighthouse

21. St. Michael's Mount, Cornwall

22. Bridge at Narni

23. Venice, The Rialto - Moonlight

24. Egglestone Abbey, near Barnard Castle

25. Saumur

26. Santa Maria della Spina, Pisa

27. Canal of the Loire and Cher, near Tours

28. The Tower of London

29. Florence, from San Miniato

30. Florence, from San Miniato

31. The Tower of London

32. Saumur

33. Destruction of Both Houses of Parliament

34. Destruction of Both Houses of Parliament

35. Rome, Bridge, and Castle of St. Angelo, on the Tyber

36. Naples, from the Mole

37. Naples, from the Mole

38. Florence, from the Ponte alla Carraia

39. Florence, from the Ponte alla Carraia

40. Richmond, Yorkshire

41. Richmond Castle and Town

42. Venice, The Rialto - Moonlight

43. Roslin Castle

44. Bell Rock Lighthouse

45. Merrick Abbey, Swaledale

46. Tantallon Castle

47. Ehrenbreitstein, During the Demolition of the Fortress in 1817

48. Ehrenbreitstein, During the Demolition of the Fortress in 1817

49. The Custom House

50. The Custom House

51. Cologne on the Rhine

52. Tivoli, a Composition

53. Warwick Castle, Warwickshire

54. Saumur

55. Bergues - La Tour du Marché

56. Richmond, Yorkshire

57. St. Agatha's Abbey, Easby

58. Egglestone Abbey, near Barnard Castle

59. Merrick Abbey, Swaledale

60. Leicester Abbey, Leicestershire

61. Bolton Abbey, Wharfdale

62. Rue du Gros-Horloge, Rouen

63. Saumur

64. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

65. Nantes

66. Bolton Abbey

67. Château of Amboise

68. Rhodes

69. Blois

70. Thornbury Castle, Gloucestershire

71. View of the Clifton Suspension Bridge

72. Front of the New Mills

73. St. Catherine's Hill, near Guildford, Surrey

74. L'Eglise de St. Gervais et St. Protais