Materials & Techniques: chine collé / Width [cm]: 43 / Subject Terms: landscape (representation)

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Materials & Techniques chine collé

Width [cm] 43

Subject Terms landscape (representation)

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828 to 1837

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 2

1828

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1828-1837

Print made by William Miller, 1796–1882

Plymouth Dock from Mount Edgecumbe

1820

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1827

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828-1832

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

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