Materials & Techniques: chine collé / Width [cm]: 37 / Collective Title: Picturesque Views in England and Wales

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Materials & Techniques chine collé

Width [cm] 37

Collective Title Picturesque Views in England and Wales

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870

Rievaulx Abbey, Yorkshire

1827

Print made by William Miller, 1796–1882

Great Yarmouth, Norfolk

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by William Miller, 1796–1882

Stamford, Lincolnshire

1830

Print made by James Tibbits Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by W. R. Smith, active 1819–1851

Richmond Hill and Bridge, Surrey

1832

Print made by William Bernard Cooke, 1778–1855

Plymouth, Devonshire

1832

Print made by Thomas Jeavons, ca. 1800–1867

Kenilworth Castle, Warwickshire

1832

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch, Leicestershire

1832

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1827

Print made by William Radclyffe, 1780–1855

Louth, Lincolnshire

1829

Print made by Thomas Jeavons, ca. 1800–1867

Devonport and Dockyard, Devonshire

1830

Print made by William Miller, 1796–1882

Windsor Castle, Berkshire

1831

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