Materials & Techniques: chine collé / Work Type: intaglio print / Height [cm]: 36

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Materials & Techniques chine collé

Work Type intaglio print

Height [cm] 36

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by William Bernard Cooke, 1778–1855

Parnassus

1821

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by James Tibbits Willmore, 1800–1863

Ullswater, Cumberland

1835

Print made by George Cooke, 1781–1834

Edinburgh Castle

1826

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour

1826

Print made by George Cooke, 1781–1834

Crichton Castle

1822

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by Samuel Cousins, 1801–1887

Mrs. Lister

1834

Print made by William Sharp, 1749–1824

William Sharp

1817

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Print made by Edward Goodall, 1795–1870

Valombre

1834

Print made by Samuel William Reynolds, 1773–1835

Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante

undated

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by David Lucas, 1802–1881

A Dell, Helmingham Park, Suffolk

1830

Print made by Charles Heath, 1785–1848

Benjamin West, Esq., President of the Royal Academy of London

1818

Print made by James Tibbits Willmore, 1800–1863

The Old Téméraire

1845

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Charles Turner, 1774–1857

Sir Harry Burrard-Neale, 2nd Baronet

1812

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