Materials & Techniques: chine collé / On-site Access: Accessible in the Study Room / Image Use: Free to Use

1. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. Southwark Fair

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

11. Mr. Garrick in the Character of Richard III

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

12. The Distrest Poet

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1740
Materials & Techniques:: Engraving and etching with chine collé; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 24 3/4 inches (46 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

13. Hind Head Hill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint with chine collé, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Job and his Family

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Messengers Tell Job of His Misfortunes

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Job's Comforters

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Job Rebuked by His Friends

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Wrath of Elihu

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Lord Answering Job out of the Whirlwind

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Job's Evil Dreams

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. When the Morning Stars Sang Together

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Job's Sacrifice

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Every One also Gave Him a Piece of Money

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Beggar's Opera, Act III

Creator:: Print made by William Blake, 1757–1827
Date:: 1790
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 24 5/8 inches (46 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

26. Satan Smiting Job with Sore Boils

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Satan Going Forth from the Presence of the Lord and Job's Charity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Job's Despair

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Vision of Eliphaz

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Behemoth and Leviathan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Fall of Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Vision of Christ

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Job and His Daughters

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Job and His Family Restored to Prosperity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Illustrations of The Book of Job; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Dimensions:: Binding: 17 1/4in. (43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Satan before the Throne of God

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Job's Sons and Daughters Overwhelmed by Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching with chine collé; engraver's proof, open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Ancient Carthage - The Embarcation of Regulus

Creator:: Print made by Daniel Wilson, 1816–1892
Date:: 1840
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Mercury and Argus

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1841
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Caligula's Palace and Bridge, Bay of Baiæ

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Modern Italy

Creator:: Print made by William Miller, 1796–1882
Date:: 1842
Materials & Techniques:: Etching with chine collé; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 28 inches (56.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Alexander Morison M.D.

Creator:: M. Gauci, 1810–1846
Date:: ca.1829
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 × 9 5/8 inches (34.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sir Harry Burrard-Neale, 2nd Baronet

Creator:: Charles Turner, 1774–1857
Date:: 1812
Materials & Techniques:: Mezzotint with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 10 1/2 inches (37 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Donnington Castle

Creator:: Print made by William Byrne, 1743–1805
Date:: 1805
Materials & Techniques:: Etching and engraving with chine collé; published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 7/8 inches (29.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 28 1/2 inches (57.2 × 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A View of Oxford from the Abingdon Road

Creator:: Print made by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Gledhow

Creator:: Print made by George Cooke, 1781–1834
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/8 inches (38.4 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Etching and engraving with chine collé; second published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 9/16 inches (28.9 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Cottage in a Cornfield

Creator:: Print made by David Lucas, 1802–1881
Date:: 1844
Materials & Techniques:: Mezzotint and etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 8 inches (24.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Stoke by Neyland, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829
Materials & Techniques:: Mezzotint and drypoint with chine collé; progress proof (g) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/8 inches (30.5 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Wanderer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream card
Dimensions:: Sheet: 6 x 4 15/16 inches (15.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Morning Prayer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream card
Dimensions:: Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. French Fishing Boat off the Shears

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1846
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream card
Dimensions:: Sheet: 5 9/16 x 6 3/8 inches (14.2 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Crossing the Red Sea

Creator:: George H. Phillips, active 1819–1825
Date:: 1829
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 5/8 × 33 7/8 inches (60 × 86 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action

Creator:: Anker Smith, 1759–1819
Date:: 1822
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/4 × 36 1/2 inches (66.7 × 92.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Thornbury Castle, Gloucestershire

Creator:: Louis Haghe, 1806–1885
Date:: between 1823 and 1835
Materials & Techniques:: Lithograph with chine collé and hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Web

Creator:: Print made by John Bell, 1811–1895
Date:: undated
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 x 6 5/8 inches (20.6 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. The Assault

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/16 x 8 1/8 inches (16 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. And This Was Caesar

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching and stipple engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/16 x 8 1/16 inches (16 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Diavoli Pescatori

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 14 15/16 inches (28.2 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Intemperance

Creator:: Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:: undated
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A Mythological Battle

Creator:: George C. Finden, 1811–1885
Date:: 1853
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. William Howley, Archbishop of Canterbury

Creator:: M. Gauci, 1810–1846
Date:: 1839
Materials & Techniques:: Lithograph with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 20 7/8 × 14 3/16 inches (53 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Presented by the Officers

Creator:: Print made by George Cuitt, 1779–1854
Date:: after 1813
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 3/4 x 12 13/16 inches (47.6 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Dell, Helmingham Park, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint and drypoint with chine collé; Progress proof (e) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 14 7/8 inches (35.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Mill

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé; Progress proof (e) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 14 5/8 inches (31.1 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Blacksmith's Shop

Creator:: Print made by Thomas Creswick, 1811–1869
Date:: 1838
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 6 1/8 inches (11.4 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Terrace

Creator:: Print made by Thomas Creswick, 1811–1869
Date:: ca. 1844
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 x 5 1/2 inches (19.8 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Moonlight

Creator:: Print made by Thomas Creswick, 1811–1869
Date:: 1839
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 6 3/8 inches (10.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Bergues - La Tour du Marché

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 x 7 1/4 inches (26.1 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Château Hamelin

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Charon's Boat

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/8 x 12 1/2 inches (21.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Joshua Commanding the Sun to Stand Still

Creator:: Print made by John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Mezzotint with chine collé; published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Sketch from a Statue of a Dreamer

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 3/16 inches (27.6 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. The City of the Pestilence

Creator:: Print made by John Bell, 1811–1895
Date:: between 1826 and 1852
Materials & Techniques:: Etching with chine collé on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. The Monk

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1833 and 1853
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 15/16 x 13 9/16 inches (50.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Balcony

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1835 and 1854
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Coronation of Queen Victoria

Creator:: Print made by Charles E. Wagstaff, 1808–
Date:: 1842
Materials & Techniques:: Etching, line engraving, stipple engraving, and mezzotint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 29 1/4 × 37 3/8 inches (74.3 × 94.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Elizabeth, Countess Grosvenor

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1883
Materials & Techniques:: Mezzotint and stipple engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/8 x 15 3/16 inches (46.7 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967

87. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Rue du Gros Horloge

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 x 13 15/16 inches (33 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Tour aux Archives a Vernon

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Ruines de Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Vue Generale des Ruines du Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 18 11/16 x 13 7/16 inches (47.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. G. Engelmann

Creator:: Print made by Godefroy Engelmann, 1788–1839
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 8 3/16 inches (27.5 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Sheep of His Pasture

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1828
Materials & Techniques:: Engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Persian before the Slave Merchants

Creator:: Print made by Abraham Raimbach, 1784–1868
Date:: ca. 1802
Materials & Techniques:: Etching and engraving with chine-collé on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 8 1/8 inches (24.8 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Rue du Gros-Horloge, Rouen

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

97. La Conversation

Creator:: Print made by Rose Joseph Lemercier, 1803–1887
Date:: 1826
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Le Silence Favorable

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Pierre de Vaivre

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 13/16 x 11 13/16 inches (37.7 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques chine collé

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1. The Vine

2. The Rising Moon

3. The Rising Moon

4. The Rising Moon

5. The Herdsman's Cottage

6. The Sleeping Shepherd

7. The Weary Ploughman

8. The Sleeping Shepherd

9. The Rising Moon

10. Southwark Fair

11. Mr. Garrick in the Character of Richard III

12. The Distrest Poet

13. Hind Head Hill

14. Gloucester Cathedral

15. Job and his Family

16. The Messengers Tell Job of His Misfortunes

17. Job's Comforters

18. Job Rebuked by His Friends

19. The Wrath of Elihu

20. The Lord Answering Job out of the Whirlwind

21. Job's Evil Dreams

22. When the Morning Stars Sang Together

23. Job's Sacrifice

24. Every One also Gave Him a Piece of Money

25. Beggar's Opera, Act III

26. Satan Smiting Job with Sore Boils

27. Satan Going Forth from the Presence of the Lord and Job's Charity

28. Job's Despair

29. The Vision of Eliphaz

30. Behemoth and Leviathan

31. The Fall of Satan

32. The Vision of Christ

33. Job and His Daughters

34. Job and His Family Restored to Prosperity

35. Illustrations of The Book of Job; Title Page

36. Satan before the Throne of God

37. Job's Sons and Daughters Overwhelmed by Satan

38. The Grand Canal, Venice

39. Ancient Carthage - The Embarcation of Regulus

40. Mercury and Argus

41. Caligula's Palace and Bridge, Bay of Baiæ

42. Mercury and Herse

43. Modern Italy

44. Alexander Morison M.D.

45. Sir Harry Burrard-Neale, 2nd Baronet

46. Donnington Castle

47. A View of Oxford from the Abingdon Road

48. A View of Oxford from the Abingdon Road

49. St. Michael's Mount, Cornwall

50. Gledhow

51. Gledhow

52. Poole, Dorsetshire

53. Lulworth Cove, Dorset

54. Dartmouth, Devon

55. Cottage in a Cornfield

56. Stoke by Neyland, Suffolk

57. The Wanderer

58. Morning Prayer

59. French Fishing Boat off the Shears

60. Crossing the Red Sea

61. Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action

62. Thornbury Castle, Gloucestershire

63. The Web

64. The Assault

65. And This Was Caesar

66. Diavoli Pescatori

67. Intemperance

68. A Mythological Battle

69. William Howley, Archbishop of Canterbury

70. Front of the New Mills

71. Presented by the Officers

72. A Dell, Helmingham Park, Suffolk

73. A Mill