Freeman, the Earl of Clarendon's gamekeeper, with a dying doe and hound
1800
Not on view
2
John Inigo Richards, 1730/31?–1810
A River Landscape, possibly a View from the West End of Rochester Bridge
ca. 1805
Not on view
3
Thomas Stothard, 1755–1834
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
4
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
5
Richard Banks Harraden, 1778–1862
Procession of Boats on the River Cam below Clare College, Cambridge
early 19th century
Not on view
6
Henry Fuseli, 1741–1825
Tekemessa and Eurysakes
between 1800 and 1810
Not on view
7
Sir David Wilkie, 1785–1841
The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
undated
Not on view
8
Benjamin Marshall, 1768–1835
Studies of Riders in the Hunting Field
ca. 1805
Not on view
9
William Redmore Bigg, 1755–1828
The Severe Steward, or Unfortunate Tenant
between 1800 and 1801
Not on view
10
John Crome, 1768–1821
A Barge with a Wounded Soldier
early 19th century
Not on view
11
Jacques-Laurent Agasse, 1767–1849
A Groom Mounted on a Chestnut Hunter, He Holds a Bay Hunter by the Reins
early 19th century
Not on view
12
Charles Martin Powell, 1775 –1824
Warships Lying Offshore, the Commanding Admiral Being Rowed out to Join the Flagship, Her Sails Illuminated by a Break in the Clouds
early 19th century
Not on view
13
Thomas Girtin, 1775–1802
Guisborough Priory
between 1800 and 1802
Not on view
14
unknown artist
Teyoninhokarawen (Major John Norton)
ca. 1805
Not on view
15
unknown artist
A Country House in a River Landscape, Previously Identified as Oatlands