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Materials & Techniques burnishing (polishing)
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- Date:
- 1973
- Materials & Techniques:
- Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
- Dimensions:
- Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of John Russell
2. VI
- Date:
- 1990
- Materials & Techniques:
- Softground etching with aquatint, hardground openbite, sugarlift, drypoint and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
3. VII
- Date:
- 1990
- Materials & Techniques:
- Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
4. L
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
5. Finn MacCool
- Date:
- 1983
- Materials & Techniques:
- Heliogravure, lift-ground etching, spit-bite aquatint, line engraving and burnisher on medium, smooth, white Rives wove paper
- Dimensions:
- Sheet: 29 7/8 × 22 3/8 inches (75.9 × 56.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975
6. XVIII
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
7. XXXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
8. XLI
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
9. XLIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
10. Bronze by Gold
- Date:
- 1985 to 1987
- Materials & Techniques:
- Soft-ground etching, lift-ground aquatint, line engraving, scraper and burnisher in twenty-three colors from five plates on medium, smooth, white Rives wove paper
- Dimensions:
- Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975
11. IV
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
12. VIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
13. XII
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with lavender oil, needle, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
14. XV
- Date:
- 1990
- Materials & Techniques:
- Softground etching with hardground, openbite, burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
15. XXI
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
16. XXIV
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
17. XXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black, acid brushed onto open plate in several stages, then openbite etching through varnish and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
18. XXVII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
19. XL
- Date:
- 1990
- Materials & Techniques:
- Sugarlift and softground etching, lavender oil on hardground, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Plate: 7 1/8 × 5 1/8 inches (18.1 × 13 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
20. XLVI
- Date:
- 1990
- Materials & Techniques:
- Softground etching, hardground, aquatint, burnishing, and openbite: the plate was cut in half at state 7, the other half made XXVII on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
21. XLVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
22. XLIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
23. Fifty Etchings
- Date:
- 1990
- Materials & Techniques:
- Portfolio of 50 etchings on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 20th century
- Materials & Techniques:
- Carved wood, matt and burnished water gilding, patinated
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Carved wood, matt and burnished water gilding, patinated
- Dimensions:
- Frame: 30 1/4 × 23 × 2 inches (76.8 × 58.4 × 5.1 cm)
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 4th quarter of 18th century
- Materials & Techniques:
- Carved wood, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Wood and compo, water gilt and burnished
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 2nd half of 18th century
- Materials & Techniques:
- Carved wood, later toning over original matt and burnished water-gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- early 20th century
- Materials & Techniques:
- Carved wood, original matt and burnished water and oil gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 18th to early 19th century
- Materials & Techniques:
- Carved wood, matt and burnished water gilding, sanded frieze
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 18th to early 19th century
- Materials & Techniques:
- Carved wood, matt and burnished water gilding, sanded frieze
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Carved wood and compo, original matt and burnished water gilding
- Dimensions:
- Frame: 22 × 31 × 2 1/4 inches (55.9 × 78.7 × 5.7 cm)
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 4th quarter of 18th century
- Materials & Techniques:
- Carved wood, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 2nd half of 19th century
- Materials & Techniques:
- Wood and compo, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- mid-20th century
- Materials & Techniques:
- Aluminium, burnished front, matt sides
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 19th century
- Materials & Techniques:
- Wood and compo, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Wood, canvas, burnished Dutch metal leaf
- Dimensions:
- Frame: 11 7/8 × 15 1/2 × 1 1/4 inches (30.2 × 39.4 × 3.2 cm)
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Carved wood, matt and burnished water gilding, sanded frieze
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 2nd half of 20th century
- Materials & Techniques:
- Aluminium, original matt & burnished patina
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Wood and compo, matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 4th quarter of 18th century
- Materials & Techniques:
- Carved wood, original matt and burnished water gilding
- Dimensions:
- Frame: 17 5/8 × 14 × 1 7/8 inches (44.8 × 35.6 × 4.8 cm)
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Carved wood, matt and burnished water gilding, patinated
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Wood, matt and burnished water gilding, patinated
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- mid-18th century
- Materials & Techniques:
- Carved wood, extensively re-gilded over original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 3rd quarter of 18th century
- Materials & Techniques:
- Carved wood, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 20th century
- Materials & Techniques:
- Carved wood, matt and burnished water gilding, patinated
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 2nd half of 19th century
- Materials & Techniques:
- Wood, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- last third of 19th century
- Materials & Techniques:
- Wood and compo, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 4th quarter of 18th century
- Materials & Techniques:
- Carved wood, original matt and burnished water gilding, and oil gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 3rd quarter of 18th century
- Materials & Techniques:
- Carved wood, original matt and burnished water gilding and sanded spandrels
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- mid-18th century
- Materials & Techniques:
- Carved wood, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 19th century
- Materials & Techniques:
- Wood and compo, matt and burnished water gilding and oil gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- 19th century
- Materials & Techniques:
- Wood and compo, matt and burnished water gilding and oil gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 18th to early 19th century
- Materials & Techniques:
- Wood and compo, original matt and burnished water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- mid-20th century
- Materials & Techniques:
- Wood, burnished white gold, black paint
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 19th to early 20th century
- Materials & Techniques:
- Carved wood, matt and burnished water gilding over recutting: hatching, fluting, enriched diaper
- Dimensions:
- Frame: 106 × 68 inches (269.2 × 172.7 cm)
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- mid-18th century
- Materials & Techniques:
- Oak, original matt and burnished water gilding, sanded frieze
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art