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Materials & Techniques burnishing (polishing)
Remove constraint Materials & Techniques: burnishing (polishing)Genre abstract art
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- Date:
- 1973
- Materials & Techniques:
- Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
- Dimensions:
- Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of John Russell
2. VI
- Date:
- 1990
- Materials & Techniques:
- Softground etching with aquatint, hardground openbite, sugarlift, drypoint and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
3. VII
- Date:
- 1990
- Materials & Techniques:
- Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
4. L
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
5. XVIII
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
6. XXXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
7. XLI
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
8. XLIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
9. IV
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
10. VIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
11. XII
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with lavender oil, needle, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
12. XV
- Date:
- 1990
- Materials & Techniques:
- Softground etching with hardground, openbite, burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
13. XXI
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
14. XXIV
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
15. XXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black, acid brushed onto open plate in several stages, then openbite etching through varnish and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
16. XXVII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
17. XL
- Date:
- 1990
- Materials & Techniques:
- Sugarlift and softground etching, lavender oil on hardground, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Plate: 7 1/8 × 5 1/8 inches (18.1 × 13 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
18. XLVI
- Date:
- 1990
- Materials & Techniques:
- Softground etching, hardground, aquatint, burnishing, and openbite: the plate was cut in half at state 7, the other half made XXVII on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
19. XLVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
20. XLIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
21. Fifty Etchings
- Date:
- 1990
- Materials & Techniques:
- Portfolio of 50 etchings on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund