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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Frames
2
Creator
Adam, Robert, 1728–1792
1
Allwood, Thomas, ca. 1750–ca.1800
1
Date
1900
9
1750
2
1770
2
1775
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2
1800
2
1870
2
1930
2
1730
1
1867
1
1950
1
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Available
2
Classification
Frames
2
Creator Gender
male
2
Period
18th century
2
Materials & Techniques
burnishing (polishing)
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2
gold leaf
2
water gilding
2
wood
2
oil gilding
1
original gilding
1
Work Type
frame
2
Subject Terms
frame alteration: no alteration
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2
frame feature: Exceptional quality carving
2
frame feature: Exceptionally well-preserved gilding
2
frame status: Original
2
frame cross-section: Architrave with oval inlay
1
frame cross-section: Concave with applied ogee
1
frame feature: Emblematic ornament
1
frame feature: Frame associated with artist
1
frame feature: One of a pair
1
frame feature: Oval inlay
1
frame ornament: Beading; fluted frieze; paterae; beading; spandrels with ribbon-tied foliate garlands of myrtle and ivy
1
frame ornament: Egg-&-leaf; gadrooning enriched with leaves & bellflowers; centred ribbon-&-stave; acanthus-&-shell applied ogee; ovolo chain near sight edge
1
frame style: 'Carlo Maratta' frame
1
frame style: Neoclassical
1
Credit Line
Yale Center for British Art
2
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Materials & Techniques
burnishing (polishing)
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Date
1775
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Subject Terms
frame alteration: no alteration
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1
workshop of Robert Adam, 1728–1792
British, Neoclassical frame
4th quarter of 18th century
2
attributed to Thomas Allwood, ca. 1750–ca.1800
British, 'Carlo Maratta' frame
4th quarter of 18th century