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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Frames
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4
Creator
Unknown framemaker
2
Adam, Robert, 1728–1792
1
Allwood, Thomas, ca. 1750–ca.1800
1
Date
1900
11
1775
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4
1730
3
1750
3
1770
3
1800
2
1850
2
1870
2
1930
2
1867
1
1950
1
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Free to Use
4
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Available
4
Classification
Frames
4
Creator Gender
male
2
Period
18th century
4
Materials & Techniques
burnishing (polishing)
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4
gold leaf
4
water gilding
4
wood
4
original gilding
3
oil gilding
1
Height [cm]
45
1
Width [cm]
36
1
Work Type
frame
4
Subject Terms
frame alteration: no alteration
2
frame alteration: yes
2
frame feature: Exceptional quality carving
2
frame feature: Exceptionally well-preserved gilding
2
frame status: Original
2
frame style: Neoclassical
2
frame cross-section: Architrave with oval inlay
1
frame cross-section: Concave
1
frame cross-section: Concave with applied ogee
1
frame cross-section: Shallow scotia with frieze
1
frame feature: Alteration evidence
1
frame feature: Emblematic ornament
1
frame feature: Frame associated with artist
1
frame feature: One of a pair
1
frame feature: Oval inlay
1
frame feature: Rare pattern
1
frame feature: Retains original gilding
1
frame ornament: Beading; enlarged lotus leaf at sight edge
1
frame ornament: Beading; fluted frieze; paterae; beading; spandrels with ribbon-tied foliate garlands of myrtle and ivy
1
frame ornament: Egg-&-leaf; gadrooning enriched with leaves & bellflowers; centred ribbon-&-stave; acanthus-&-shell applied ogee; ovolo chain near sight edge
1
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Yale Center for British Art
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Materials & Techniques
burnishing (polishing)
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Frames
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1775
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1
attributed to Thomas Allwood, ca. 1750–ca.1800
British, 'Carlo Maratta' frame
4th quarter of 18th century
2
unknown framemaker
French, Louis XVI frame
4th quarter of 18th century
3
unknown framemaker
British, Neoclassical frame
4th quarter of 18th century
4
workshop of Robert Adam, 1728–1792
British, Neoclassical frame
4th quarter of 18th century