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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkWork Type drawing
Remove constraint Work Type: drawingWidth [cm] 25
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1
- A Recollection of the New R.A
- 1837
2
- Benjamin Read
- ca. 1757
3
- High Street, Edinburgh
- ca. 1818
4
- Entrance to the Port of Marseille
- undated
5
- Fruit trees, 3 April 1863
- 1863
6
- S. Pietro Degli Agostiniani. Leonessa
- 1844
7
- Nice from the Genoa Road
- 1865
8
- Karnak, 24 February 1867 (545)
- 1867
9
- Karnak, 9:30 am, 24 February 1867 (546)
- 1867
10
- Gebel Sheikh Abu Fodde, 7:30 am, 4 March 1867 (590)
- 1867
11
- Salahiyeh
- 1867
12
- Salahiyeh
- 1867
13
- Near El Areesh, 3:30 pm, 30 March 1867 (27)
- 1867
14
- Abu Simbel, 1:10 pm, 9 February 1867 (385)
- 1867
15
- Amada, 7:20 am, 12 February 1867 (421)
- 1867
16
- Abu Simbel, 4:30 pm, 8 February 1867 (379)
- 1867
17
- Gebel Sheikh Eredi
- 1867
18
- Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)
- 1867
19
- Deir El Adra
- 1867
20
- Kurayim
- 1867
21
- Near Daboad
- 1867
22
- Sabooa
- 1867
23
- Near Beer El Abt, 4:30 pm, 28 March 1867 (23)
- 1867
24
- Near Wady Halfeh
- 1867
25
- Lago di Garda
- 1867
26
- Ibreem, 11:00 am, 2 February 1867 (319)
- 1867
27
- Deir Kadige, noon., January 2, 1867 (27)
- 1867
28
- Gebel Sheikh Embarak
- 1867
29
- Sharaone
- 1867
30
- Opposite Beni Hassan
- 1867
31
- Sheikh Abadeh, 3:15 pm, 6 January 1867 (84)
- 1867
32
- Sheikh Abadeh, 3:20 pm, 6 January 1867 (85)
- 1867
33
- Venice, the Doge's Palace
- undated
34
- Gozo, near Malta
- 1866
35
- Albania
- between 1848 and 1849
36
- Plans for the House to be Built at Hampstead
- 1794
37
- Birth of Man
- undated
38
- Seated Woman
- undated
39
- Ancient Inscription in the Post House at Argos
- 1802-1804
40
- The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
- 1802-1804
41
- The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
- 1802-1804
42
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
43
- Top Portion of a Pillar
- 1802-1804
44
- Study of Abraham Being Tested by God
- undated
45
- Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed
- undated
46
- Scene from Don Quixote
- undated
47
- Landscape, With Windmills, and a Town in the Horizon
- undated
48
- Seymour Lodge, 12 July 1826
- 1826
49
- Lady Jane Grey
- undated
50
- Citadel of Montpellier, France
- undated
51
- First Design of a Battle Scene
- undated
52
- Studies from Cotton MSS Nero
- undated
53
- figure Studies for Medieval Noble Life
- undated
54
- Figure Studies of a Group of People in a Wooded Clearing
- undated
55
- Thatched Cottage near Henley
- 1821
56
- Falstaff in the Boar's Head
- 1807
57
- Tournon Opposite to Teint on the Rhone
- ca. 1780
58
- A Regency Pair: Man with Walking Stick
- 1802
59
- The Chapel of the Foundling Hospital, London
- undated
60
- Design for Love's Labour's Lost
- 1839
61
- Landscape with Gorge and Cattle
- undated
62
- Tyrolese Hunters
- between 1827 and 1828
63
- Venetian Scene
- undated
64
- Two Prize Fighters
- ca. 1742
65
- Part of the Bay of Gibraltar, the Spanish Lines
- 1844
66
- The 48th Regiment with Casemate, Gibraltar
- 1844
67
- Cortona
- undated
68
- Cat Like Courtship
- undated
69
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
70
- The Smock Exposed
- 1817
71
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
72
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
73
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
74
- Design for Wall Paper
- ca. 1760
75
- A Scene at Windsor
- undated
76
- On the Cimaronero River
- 1857
77
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
78
- The Reconcilation
- 1817
79
- Hogarth Drawing Sarah Malcolm
- 1817
80
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
81
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
82
- Hogarth Sitting to Roubiliac for His Bust
- 1817
83
- Sheet of Classical Figure Studies
- undated
84
- The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
- undated
85
- Beach Scene
- undated
86
- Loading Sacks into a Cart
- undated
87
- Costume Study
- undated
88
- Temple of Minerva Medica, Rome
- undated
89
- Raglan Castle, Monmouthshire, Wales: Ground Plan
- undated
90
- Temple Near the Site of Ancient Phigalia
- 1803
91
- Sketch of the Molding of the Interior of the Propylaea
- 1802-1804
92
- Fragment of a Doric Cornice Among the Ruins of Eleusis
- 1802-1804
93
- Order of the two courts of the Temple at Baalbec
- undated
94
- Plan of upright of the semi circular Exedra of Temple at Baalbec
- undated
95
- Bachelor's Hall
- undated
96
- Women in "Old Italian Costume - Naples"
- 1818
97
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
98
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
99
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
100
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817