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1. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Birth of Man

Birth of Man
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink on medium smooth, cream wove paper
Dimensions:
Sheet: 6 5/8 x 9 3/4 inches (16.8 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Newton and the Prism

Newton and the Prism
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink; verso: gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 7 3/8 inches (14.3 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

4. The House of Commons

The House of Commons
Creator:
Sir James Thornhill, 1675–1734
Date:
after 1731
Materials & Techniques:
Pen and brown ink and brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 6 1/2 inches (31.8 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England

Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England
Creator:
Anthony Pasquin, 1763–1818
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 8 3/4 inches (18.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Sermon on the Mount

The Sermon on the Mount
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on thick, rough, beige laid paper
Dimensions:
Sheet: 16 1/8 x 12 inches (41 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Workmen at Refreshment (Banditti?)

Workmen at Refreshment (Banditti?)
Creator:
Mather Brown, 1761–1831
Date:
1819
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 11 1/4 inches (19.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. No. 2. A. Table of Hieroglyphics found at Axum

No. 2. A. Table of Hieroglyphics found at Axum
Creator:
James Bruce, 1730–1794
Date:
1771
Materials & Techniques:
Pen and brown ink and black wash on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Funeral of the Duke of Wellington

The Funeral of the Duke of Wellington
Creator:
Sir John Everett Millais, 1829–1896
Date:
1852
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Landing of William of Orange at Tor Bay

Landing of William of Orange at Tor Bay
Creator:
Peter Monamy, 1681–1749
Date:
1688
Materials & Techniques:
Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Mary, Queen of Scots, Embarking

Mary, Queen of Scots, Embarking
Creator:
William Lock II, 1767–1847
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 17 3/4 inches (30.8 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Classical Composition

Classical Composition
Creator:
Gavin Hamilton, 1723–1798
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/4 × 15 1/2 inches (31.1 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
Creator:
Attributed to William Hamilton, 1751–1801
Date:
undated
Materials & Techniques:
Watercolor, gray wash, pen and brown ink, red chalk, graphite, with scraping out on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Seven Bishops Going To Trial

The Seven Bishops Going To Trial
Creator:
Richard Westall, 1765–1836
Date:
1790
Materials & Techniques:
Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

15. Classical Composition

Classical Composition
Creator:
Gavin Hamilton, 1723–1798
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. The Banishment of Aristides

The Banishment of Aristides
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Hypatia Teaching at Alexandria

Hypatia Teaching at Alexandria
Creator:
Robert Trewick Bone, 1790–1840
Date:
undated
Materials & Techniques:
Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A Project for the Monument of the Apotheosis of Nelson

A Project for the Monument of the Apotheosis of Nelson
Creator:
Benjamin West, 1738–1820
Date:
1806
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 12 1/2 inches (60.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Ancient Inscription in the Post House at Argos

Ancient Inscription in the Post House at Argos
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 9 3/4 inches (19.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A Scene From the Farce of "The Critic," a Little Altered.

A Scene From the Farce of "The Critic," a Little Altered.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Earthquake Scare in Piccadilly

The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Harpies Attacking the Daughters of Pandarus

The Harpies Attacking the Daughters of Pandarus
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Triumph of Music

The Triumph of Music
Creator:
Walter Crane, 1845–1915
Date:
ca. 1876
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 5/8 inches (27 x 37.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Another Saint Sebastian, Shot at by Cruel Archers

Another Saint Sebastian, Shot at by Cruel Archers
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success

The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]

Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 13 5/8 inches (27.1 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in brown ink and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 8 1/4 inches (21.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]

Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 8 15/16 inches (32.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]

Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in brown ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 7 5/8 inches (21.3 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Ancient Greek Inscriptions, Found on the Road Between Mystras and Leontari

Ancient Greek Inscriptions, Found on the Road Between Mystras and Leontari
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1803
Materials & Techniques:
Pen and brown ink and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 7/16 inches (18.4 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Body of Lucretia Exposed to the Romans

The Body of Lucretia Exposed to the Romans
Creator:
James Jefferys, 1751–1784
Date:
between 1777 and 1778
Materials & Techniques:
Pen and black ink, pen and brown ink, gray wash and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 24 7/8 x 37 inches (63.2 x 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. Study of Mary, Queen of Scots, Going to Execution

Study of Mary, Queen of Scots, Going to Execution
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 4 9/16 × 7 3/16 inches (11.6 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought

View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Celebration on the Thames near Whitehall

Celebration on the Thames near Whitehall
Creator:
Willem van de Velde the Elder, ca. 1611–1693
Date:
1685
Materials & Techniques:
Pen and brown ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 17 3/8 inches (28.3 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Hur Rangers Encamped at Colgong

The Hur Rangers Encamped at Colgong
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 26 9/16 inches (45.1 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Studies From a French MSS Bible Registry

Studies From a French MSS Bible Registry
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 × 15 1/16 inches (24.9 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Studies from a French MSS Bible Register

Studies from a French MSS Bible Register
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 1/4 inches (23.2 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. figure Studies for Medieval Noble Life

figure Studies for Medieval Noble Life
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 5/16 inches (23.2 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Sir Robert Smirke's Continental Tour

Sir Robert Smirke's Continental Tour
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Goetz Von Berlichingen Before The Imperial Magistrate

Goetz Von Berlichingen Before The Imperial Magistrate
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1826
Materials & Techniques:
Pen and brown ink and brown wash with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 4 inches (12.1 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Morton Morris

44. Untitled

Untitled
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Brown wash, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 × 2 3/4 inches (10.6 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift

45. Dunmow

Dunmow
Creator:
Thomas Rowlandson, 1756–1827
Date:
Undated
Materials & Techniques:
Pan and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 3 7/16 inches (14.6 × 8.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Spanish Inquisition

Spanish Inquisition
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. A London Riot

A London Riot
Creator:
Charles Reuben Ryley, 1752–1798
Date:
undated
Materials & Techniques:
Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Sketch for 'The Continence of Scipio'

Sketch for 'The Continence of Scipio'
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 inches (13.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. A Race Meeting at Newmarket Heath

A Race Meeting at Newmarket Heath
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1671
Materials & Techniques:
Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

50. The Launching of H.M.S. 'Hibernia' 1804

The Launching of H.M.S. 'Hibernia' 1804
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1804
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood

Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 6 1/8 inches (20.6 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

53. Soldiers Being Rowed Out to an Indiaman at Northfleet

Soldiers Being Rowed Out to an Indiaman at Northfleet
Creator:
George Chambers, 1803–1840
Date:
undated
Materials & Techniques:
Watercolor, pen and brush with black and brown ink, gouache, with scratching out, over graphite on slightly textured, moderately thick, beige wove paper on thick wove paper
Dimensions:
Sheet: 16 × 26 1/4 inches (40.6 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Religious Ceremony in Ancient Greece

Religious Ceremony in Ancient Greece
Creator:
Francis Oliver Finch, 1802–1862
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 5/16 × 25 5/16 inches (46.5 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Sappho

Sappho
Creator:
attributed to Maria Hadfield Cosway, 1759–1838
Date:
1826
Materials & Techniques:
Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 7 1/4 inches (22.9 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Andrew Wilton

56. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund